Linn CD12 MK3


A friend of mine who is a long time Linn's user told me about Linn CD12 mkIII. He previously used Linn CD12 mk1, mk2. Also,he has Linn LP12SE full stack and Klimax DSM in his system. He had purchased this USED Linn CD12 MK3 for $18000. To my knowledge, Linn CD12 CDP mk1(20bit) and mk2(24bit) serial number are of 3digits. But this so called Linn CD12 MK3 had 6 digits serial number. He said this CD12 MK3 is very rare and Limited. My friend has A/B comparison many Linn sources in his own system. And what he said is CD12 mk2 better than mk1. But the 6digits serial number CD12 MK3 is a true Linn masterpiece. It easily beat mk2 in every aspect. He had compared to Linn LP12SE full stack, and the new Klimax DSM and he even prefered Linn CD12 MK3. He told it preserved the Linn's maximum musical magic of LP12SE full stack plus more dynamic extreme, more details yet very musical.
My question is who ever had experience in Linn CD12 6digits serial number MK3? I have never seen this version before. Where can I get one?
samie
I did not even know that a Mk3 exists. I do like the CD12 and I expect that Linn will be able to support it even if they no longer make a cd player.

I happen to like the convenience of a music server myself, even though it was a big deal of work ripping my 3700 cds to the server and correcting the metadata (particularly difficult with classical cds). My collection is so much more accessible and I like browsing on an ipad and putting together an evening's worth of music on a play list.

I use the server even though I think it really does not sound quite as good as my CD player. I happen to like the sound of the particular player I have and it better matches my LP source so that the system sounds similar playing both. I make no generalizations as to which is inherently better--I am merely pointing out that a good CD player can be very good in absolute terms and a computer or dedicated server is not necessarily better.
Mjcmt,
Thank you for your helpful advice. I will search those forums.

Larryi,
I also do like streaming music from server or internet radio for convenience and its sound quality keep improving. However, when I'd like to go for critical listening, Linn CD12 MK3 limited sounds like my cup of tea.
samie That's why I pay attention on the Linn CD12 limited MK3 (with 6 digits serial number). If this limited CD12 mk3 is too difficult to find, I'll give a try on others instead.


I know this is old, but I have one of these CD12 MkIII's that a friend gave to me very cheap, and he hardly used it. SN700139 it also has the 24bit PCM1704K dacs.

Unfortunately Linn deleted the U8 user setting via the remote of being able to choose between the 8 different dither settings that the PMD100 hdcd chip has. Something I believe is more to do because it uses the PCM1704k 24bit dacs instead of the earlier PCM1702 20bit dacs.


Cheers George    

First, I just love the sound of R2R Multibit D to A convertors for doing Redbook (PCM) conversion, as they do it "bit perfect" compared to any Delta Sigma (DSD) based cdp/dacs I’ve heard, which always seem to disappoint me on Redbook replay. And the Linn CD12 is R2R Multibit having 4x PCM1704k dacs.

It sound is very very good, smooth detailed and extended both ends, with very good slam and presences. It has what Linn calls "Pratt" others call it bounce, which to me is a better description, and it’s sound staging and imaging is first rate.

It’s a very, very good player, that does some things a little better than my heavily modified Cary 303/200 which also uses the PCM1704K dacs and the same buffer output. Though my Cary does dynamic punch a bit better again, which I bring down too the feedback free A844 I/V stage I used in it. I may try to put that I/V stage in the Linn one day (bit of a job) to see if that improves it again, but at the moment I’m very happy with it’s sound. Thanks for asking.

BTW: Can’t believe this player was over $30k here in Australia. Sure is built like a brick shithouse.

Cheers George