On the face of it, I tend to agree with George here since at least one of the things we may be dealing with here is having 2 D-A conversions in the signal path...first from your CDP/DAC and then the digital crossovers. What's more is that this last conversion may be 24/96k or even less and if you already have 192k or better at the first conversion then there might be a slight reduction in extension or openness in the highs...however, considering the possible gains, this may actually not be a deal killer for you...I know it certainly wasn't for me. But, then again, my situation is different, I already had over $10k of electronic noise reduction gear (Alan Maher Designs) to tame all the digital noise, AC and DC noise in my setup so all the usual complaints of "digital sound", as George rightly refers to above, were entirely put to bed. But, all that may be the biggest thing: once you commit to a digital solution of this kind, you may find yourself wedded to solving the 'noise problem' somewhere along the way - to finding some kind of conditioning, noise reduction or *something* that will fit the bill and get everything to fly right for you. Once that's done, then yes, digital does indeed fulfill its promise of being far better than analog in this app.
All of this assumes your digital crossovers are in fact adjustable...flexibility is key here since that's what allows you to dial in the sound according to Your tastes, Your room, Your gear...and you may not really know in advance what those parameters are until you actually have the ability to play around with them all. Overlap to me is a disaster - getting rid of it can offer you a whole new listening experience. I tend to agree with Zu about the "tone killer" thing, but maybe even bigger for me was the complete liberation of the entire dynamic envelope...no more power-robbing passive parts to blunt the dynamic peaks. It's been said that amps communicate directly with the passive crossovers - take them out and the amps communicate directly with the drivers - from my experience there is indeed an enormous difference to be heard there.
Which brings me to one more thing. Your speakers (drivers) must be up to the task of the increased performance levels...that is they must be an inherently good match for each other (in particular, overlapping well in the crossover region, hopefully allowing some room for moving the crossover point around at least a small amount should the need arise from your experimenting with things...but they must also be capable in terms of dynamics). Not all speakers come with drivers as inherently well matched as that. Knowingly or otherwise, speaker designers notoriously effectively use the the power-robbing and resolution/tone-diminishing nature of their own passive crossover designs as a means to hide less than ideal driver matching. Removing the passive crossovers may reveal the limitations of driver matching that the speaker designer didn't intend you to know about. Not All speakers have this problem, but those kinds are out there, so beware and take things slowly maybe.
However, with all that said, I'm a huge believer in digital active crossovers...under the right circumstances they are in fact a dream come true. FWIW, I use the set of digital pro tools included with 3 Crown XTi 2 amps run from my CDP to a pair of Wavetouch Grand Tetons with a pair of DIY sealed subs. Had to radically modify the tweeters to get the sound to my tastes (had nothing to do with changing to digital crossovers), but under the Alan Maher Designs umbrella here anyway, everything is just amazing across the board - and *despite* that the 2nd conversion at the amps is only 16/48k! In my own case, all the AMD stuff here was a much bigger influence on the sound than even the active tri-amping itself - which I now consider to be indispensable.
Hope this helps.
