Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Review by Steve Huey [-]
Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to figure out why 1964's Matador was only released in Japan in 1979, prior to its U.S. CD reissue in 1990 -- it's a classic and easily one of Green's finest albums. In contrast to the soul-jazz and jazz-funk for which Green is chiefly remembered, Matador is a cool-toned, straight-ahead modal workout that features some of Green's most advanced improvisation, even more so than his sessions with Larry Young. Part of the reason for that is that Green is really pushed by his stellar backing unit: pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Elvin Jones. Not only is Green leading a group that features one-half of the classic Coltrane Quartet, but he even takes on Coltrane's groundbreaking arrangement of "My Favorite Things" -- and more than holds his own over ten-plus minutes. In fact, every track on the album is around that length; there are extended explorations of two Green originals ("Green Jeans" and the title track) and Duke Pearson's Middle Eastern-tinged "Bedouin," plus the bonus cut "Wives and Lovers," a swinging Bacharach pop tune not on the Japanese issue. The group interplay is consistently strong, but really the spotlight falls chiefly on Green, whose crystal-clear articulation flourishes in this setting. And, for all of Matador's advanced musicality, it ends up being surprisingly accessible. This sound may not be Green's claim to fame, but Matador remains one of his greatest achievements.


Anybody who has been following this thread knows why I'm posting this, in case they don't know I'll tell you why; Grant Green died in poverty, although he made many boss albums that were not released. This album was released in Japan, probably after his death; the question is WHY? If you're interested, you can read over back posts in this thread.



enjoy the music.


I first heard Grant Green when I was 16 and he was 23; he sounded then, just like he sounds on this post;


I'm feeling the spirit yall, and I'm going to "Go Down Moses"


          https://www.youtube.com/watch?v=jRyz7aWcxUc


Now I'm going with Joshua, and me and him gonna "Fit De Battle Of Jericho". Can I git a witness!



          https://www.youtube.com/watch?v=1yVPWY7Kx-M





Enjoy the music.
Michael Brecker:

A virtuoso who can play!   I really enjoy listening to his music.   Solos are so coherent.

Today's Listen:

Horace Silver & The Silver Brass Ensemble -- IT'S GOT TO BE FUNKY (1993)

https://www.youtube.com/watch?v=0noGBH68qkM

The most interesting tune was a vocal version of 'song for my father, vocals by Andy Bey.  Not on you-tube.  This is the tune with the Brass ensemble minus Bey.  Poor sound quality.   Not sure the ensemble adds anything. Blue Mitchell and et al were just fine.

https://www.youtube.com/watch?v=GV3j9mjsfs8

Cheers




"It's Got To Be Funky":

Listened to the clip before reading the second part of your post.  My first thought was: "some writers are small ensemble writers; it's a different skill to write for large ensemble".  Eventhough the first "Silver And Brass" record worked well, I don't think this is as successful.  I agree, I don't think the ensemble adds much.  Also, I don't like the drummer; kinda loose and sloppy and not terribly "funky".

"It's Got To Be Funky": 1993
Bootleg concert recording ("Song FMF"): 1994.  Same bass player, different drummer.  Hmmmm!  Coincidence?  Not too many players would "turn down" a tour with Horace Silver 🤔