Harbeth P3ESR or Monitor 30?


I’m leaning strongly towards a (used) Harbeth upgrade, and was focussed on the P3ESR until I noticed a pair of Monitor 30s available for around the same price.

My room is far from ideal. Hard floors, about 15'x18', with a further, narrower extension on one side of the longer dimension, and a small window bay on the other. The speakers are set up on one side of the 15' space, and I sit on the other.

I have done some searching and read a few opinions, but if anyone has experience with both, or any thoughtful opinion, I’d welcome your thoughts.

Cheers,

Tony
whipsaw
Thanks Bruce.

I have used Herbie's products in the past, and am using something similar at the moment. I doubt that a change in that are would confer any big changes.

I'll update when I have further thoughts.

Tony C.
Perhaps the lack of bass could be attributed to a 4" driver in a sealed shoe box sized cabinet?
Post removed 
I ended up auditioning both, and have gone with the P3ESR. While both speakers predictably have strengths and weaknesses, let me begin by saying that the assertions in the above post are ludicrous. I don’t mean to suggest that the other speakers mentioned aren’t contenders, but the rest is hyperbolic nonsense.

Now, with regard to the two Harbeths, I have chosen the P3s primarily because of what some earlier contributors have noted, namely that they are more open sounding than the M30, and this is especially important in my current, less than ideal space.

I have little doubt that in a room with fine acoustics, and with the right associated equipment, the M30s would be first-class. The highs and mids were superb, even in my space, but they lacked the openness of the smaller speakers, and at times sounded ’boxy’. They also required a more specific and narrow listening position in order to be fully appreciated, while the P3s are quite flexible in that respect.

Having said all of that, I am not as enthusiastic about the P3 bass response as some others on the thread. My expectations were realistic, but I have been a bit underwhelmed. To be fair, I haven’t yet done much experimenting with positioning, nor have I tried a different set of spikes, which I will do. So it is still early, and my opinions may evolve.

I do like the speakers quite a bit, but am not sure that they will be with me for years to come. For some perspective, I was more impressed with the bass response of the previous (small) speakers that I was using, a pair of Von Schweikert VR-1, which cost all of 350€.

In any case, thanks for the earlier feedback, and if you have any further thoughts or questions, fire away!

Thanks for the update. Good to hear you have settled with the P3ESR. It’s a wonderful speaker indeed and have the capability of sounding "huge" despite its small enclosure. Perhaps you might want to give it more time to determine if the bass performance will improve. It would be interesting to know how the P3s would sound like with the Jeff Rowland.

I share the same thoughts on the M30, though the comparison is mostly with the C7ES3 and SHL5. The M30 sounded fairly shut-in and less open than both the C7s and SHL5s. Due to the "restrained" quality, the M30 sounds slightly boxy next to the C7s and SHL5s which sound more open in comparison. Having said that, the M30 being a monitor speaker is voiced to have more control, hence the apparent lack of "openness" when compared to other Harbeth speakers which are more suited for domestic applications. The M30 has a much richer tone than the C7ES3 and SHL5 which gives instrument and voices a more palpable feel. Folks who value this trait more than transparency and openness will find the M30 a "better speaker".