O-10, I take no pleasure from having to preface my comments like this. Given the history of ridiculous arguing and nonsense, I will stay clear of any request for dialogue that, in any way, smacks of sarcasm or baiting. As always, I welcome reasonable and (hopefully) intelligent dialogue and exchange of ideas. So, if there’s any chance that this feeling is mutual, all I can say is: try again.
In the meantime, a good place to start would be for you to get the personell on the "Forest Flower" that you posted correct. The personell that you posted are incorrect and from a different record. The personell, which could not be more obvious nor easier to identify, are: Hamilton, the composer himself Charles Lloyd, Gabor Szabo, and Albert Stinson. Lloyd could not sound more different from Buddy Collette, nor Szabo more different from Hall. Cello?!?! As far my thoughts on the music go, try again if you would like.
In the meantime, a good place to start would be for you to get the personell on the "Forest Flower" that you posted correct. The personell that you posted are incorrect and from a different record. The personell, which could not be more obvious nor easier to identify, are: Hamilton, the composer himself Charles Lloyd, Gabor Szabo, and Albert Stinson. Lloyd could not sound more different from Buddy Collette, nor Szabo more different from Hall. Cello?!?! As far my thoughts on the music go, try again if you would like.