Speaker Driver Material & The Sound of Dissimilar Materials


Can anyone explain(NOT anecdotally)how it is possible for a driver made of metal(aluminum etc..)to properly convey the tone of wood & how a wood/pulp or plastic based driver can convey properly the tone of metal(electric guitar strings,cymbals)?This is a very confusing concept to me...
freediver
OP

i think you need to read up on acoustics and sound reproduction.

Drivers are meant to reproduce recorded sound, it doesn't act like the string of a guitar.
Soundwaves are what people hear in which there is a frequency and time element. Try investigating harmonics (distortion) and ASDR envelope.

There is difference between free vibration of an insturment and forced vibration of speaker. 
All of this is a good argument for multidriver speakers. A given driver, with its mass, stiffness, and many other properties, can handle only a limited range of frequencies convincingly. A single driver design can play coherently and pleasingly, but will only handle the midrange frequencies with authority.
The driver moves back and forth uniformly. It does not vibrate between two fixed points the way a guitar string or the spruce top of a cello does. Since the driver does not distort, it pushes and pulls air uniformly over the radiating surface so it doesn't matter to the air whether the driver is paper, aluminum, kevlar or any other material. The driver recreates the same pressure wave pattern as the vibrating top of the cello.

Sound waves are exactly what we hear for the waves are rarified and compressed air causing the eardrum to vibrate exactly like the source generating the wave.


Free, so how do you think speakers work when you get a phone call and recognize the voice, or vice versa? :) It would be pretty weird if there were vocal chords in your cell phone. Maybe you’d have to feed it to keep it working. The device in your phone is a speaker too.

I think you are overthinking it a little bit. If all that was recorded in a recording was the notes, like sheet music, then it would be impossible to replay a specific performance. What’s being recorded (as much as possible) is the individual vibrations that make up a sound. For instance, on a violin middle C is played. The CD/MP3 whatever doesn’t record middle C. The microphone recorded the fundamental and all the overtones produced by that specific instrument at that point in time, including any studio sounds, the sound of the bow pulling across the string, the vibrations of the body as well as any air moving through the holes on the top. There's also the effect of the bridge, and a little finger's worth of wood placed int he body of the violin to give it more complexity.  A microphone should capture as much of that as possible, much like your ears do. 

The speaker driver itself should be like a blank page, or like a projection screen. Without any image of it’s own, it should reflect only what is cast upon it. No driver is actually like this, and no driver is perfect, but that is what makers strive for.

Any driver, regardless of material, tries to function like a pure piston and NOT like a musical instrument. That piston should move back and forth exactly as the input voltage asks of it. It should not "ring" or cast on any overtones of it’s own, like a piano or violin always must do. It is in essence a microphone in reverse.

Best,

Erik