****comments like this just encourage him.****
I don't think he needs encouragement, nor do I want to take on that role, but I think that kind of perspective is sorely missing in these discussions.
****you should always carry a card with the phone number of the New York Philharmonic, ****
Well, actually, I do; but, not for that reason.
****let the String section of the NYP not show up for work, and then let the gabarge collectors not show up for work!! See which wheel gets the grease.****
You might be surprised. You can look look up the numbers, but if memory serves, the recent sanitation worker's strikes in NYC lasted considerably longer than the most recent musicians strike, and one that I was involved with, the Broadway musicians strike . Now, I realize you referred to a NYP strike, but keep an eye on the Met Opera's labor/ management issues being dukes out as we "speak"; you just may have an answer very soon; unfortunately.
****Can feel and intuition in music ever be programed?**** - Acman3
Of course not!
****That is, to reconcile what you can do, with, what's in your head. In the book a lot of guys wished they could play what was in their heads.
I don't think I understand that statement. If you can think it or visualize it, what's to keep you from playing it. We are speaking of professional players, of course. Is it a physical thing?****
Remember that old favorite term of yours (mine)? "nuts and bolts" . What it takes to be able to execute what is in a musician's head: impossible to describe dedication, commitment, and years (life-long) of practice; and why they are underpaid. And, BTW, this does not apply only to jazz musicians. A classical player may have a perfectly clear idea of the tone he wants to produce, but there is no substitute for the practice.
****Check out his dress. Does not have anything to do with his playing, but it sure does look disrespectful. ****
I know Metheny; we went to the same conservatory. I assure you that lack of respect for the music or his elders is the last thing he is guilty of.
****This is true, but, the U.S. Art world is not blameless for this being the case.****
Now, things are getting interesting!
I don't think he needs encouragement, nor do I want to take on that role, but I think that kind of perspective is sorely missing in these discussions.
****you should always carry a card with the phone number of the New York Philharmonic, ****
Well, actually, I do; but, not for that reason.
****let the String section of the NYP not show up for work, and then let the gabarge collectors not show up for work!! See which wheel gets the grease.****
You might be surprised. You can look look up the numbers, but if memory serves, the recent sanitation worker's strikes in NYC lasted considerably longer than the most recent musicians strike, and one that I was involved with, the Broadway musicians strike . Now, I realize you referred to a NYP strike, but keep an eye on the Met Opera's labor/ management issues being dukes out as we "speak"; you just may have an answer very soon; unfortunately.
****Can feel and intuition in music ever be programed?**** - Acman3
Of course not!
****That is, to reconcile what you can do, with, what's in your head. In the book a lot of guys wished they could play what was in their heads.
I don't think I understand that statement. If you can think it or visualize it, what's to keep you from playing it. We are speaking of professional players, of course. Is it a physical thing?****
Remember that old favorite term of yours (mine)? "nuts and bolts" . What it takes to be able to execute what is in a musician's head: impossible to describe dedication, commitment, and years (life-long) of practice; and why they are underpaid. And, BTW, this does not apply only to jazz musicians. A classical player may have a perfectly clear idea of the tone he wants to produce, but there is no substitute for the practice.
****Check out his dress. Does not have anything to do with his playing, but it sure does look disrespectful. ****
I know Metheny; we went to the same conservatory. I assure you that lack of respect for the music or his elders is the last thing he is guilty of.
****This is true, but, the U.S. Art world is not blameless for this being the case.****
Now, things are getting interesting!