Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Re Gregorian Chant (plainchant): monophonic. One single moving melodic line; no harmony.

It may come as a surprise to learn that there is an important similarity to jazz. No kidding! It has been asked a few times on this thread what exactly "modal" jazz is. Like modal jazz, plainchant is composed within the framework of a "mode"; modes in music as devised by the ancient Greeks. The simplest way to explain it is this:

Think of the most familiar, and simplest to visualize on a piano keyboard, scale. The C Major scale; eight successive white keys beginning on a C and ending on another C one octave higher (CDEFGABC; every scale is made up of eight notes). The first and last notes of the scale have a natural aural "pull"; the movement of a melody using that scale "wants" to end (resolve) on that note.

Sing "Happy Birthday", a very simple tune in a Major key: the melody starts on the fifth note (G) of a C Major scale and ends on a C. Now, sing it again, but this time, instead of ending on the last "you", end it on "to".

"...... Happy Birthday, dear Ro-ok, Happy Birthday, to....."

Notice how strongly your ear wants to go to "you"; to resolve. That is part of the "flavor" of a Major tonality.

Visualize the white keys on the piano keyboard again:

CDEFGABC(CDEFGABCDEFGABCDEFGABCDEFGABC etc.)

Now, instead of starting the scale on the "C", start it on the "D" and go up the keyboard to the "D" one octave higher: DEFGABCD

That is the first of the seven "modes"; Dorian mode. It is a mode very commonly used in Jazz with its own distinct "flavor"; different from Major and every other mode. It has its unique "flavor" due to the mathematical relationships of the notes within that particular scale and the subsequently weaker or stronger aural "pulls" to each note of that scale as compared to Major and the other modes.

Jazz tune in Dorian mode:

http://m.youtube.com/watch?v=DEC8nqT6Rrk
The Frogman:

To my puny mind, those 'Modal' guys were just playing the 'wrong' notes on purpose. Of course I had no idea what modal Jazz was, or that it even existed.

After reading your post, I ended up deep in google land. Had to hear Maiden Voyage. Found a lot of good sites for music for beginners. This was a link on one of those sites. Meant to prove a point and be funny. It is both.

http://www.youtube.com/watch?v=5pidokakU4I

Your post was excellent, as always. As I read my book, I will also study scales, keyes, and chords. I suspect that a little more of this and I will never listen to music quite the same way.

Thanks for the insight.

Cheers
Quincy at his best. Great idea. Wonderful music and performances. I wonder what happened to the money?

My guess? Ultimately, and sadly, it ended up in the pockets of French Hookers.

Cheers