ehtoo- That has been my experience re the EQ of Japanese pressings of rock music generally, but sometimes it is either not the case, or the EQ works in combination with the nature of the recording so the end result is not bad, e.g. LZ1 japanese pressing I mentioned. Pretty much every copy is murky, many have no bass, the Piros cut pressed at Monarch is probably one of the best I’ve heard, but that Japanese cut is really strong too. For the odd ball prog stuff, the King records and Seven Seas imprint have been good as well, but in almost all cases, the original pressings are so expensive, I have not compared them. (e.g.. Museo Rosenbach -Zarathustra).
Why do I keep torturing myself with remasters?
I am really beginning to believe these 180 remasters are mixed for a 500.00 system.It seems every one I buy it's either super bright,or has an ass load of bass in all the wrong places.The Bowie i have the soundstage is all wacked out .I have a decent setup but i can't imagine how much more obvious it must be on a serious setup.I can say the Yes fragile I got lately (cut fromt he original tapes) sounds pretty good ,Zeppelin In thru the outdoor Yikes! so bright waste of 25.00 again.....
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- 128 posts total
- 128 posts total