When the system, or some part of the system is flawed and/or colored, we seek to correct it by using different flavors of cables. In contrast, when the individual components are well-balanced, full-range, and neutral, we naturally gravitate towards high-quality cables that have all the same virtues. At audio shows, in the best rooms, we see a clustering of high quality components, transducers, and cable looms that share these virtues. As a general rule, you do not see in these rooms a mixing and matching of different brands of cables and pricepoints.
Cable Controversy
I love the cable forum. Discussions about cable can really generate sparks among the mature audiophiles. Regarding cable design: Other than the basics of resistance, impedance, and conductance, it seems that there is very little firm ground upon which one can form convincing conclusions. Witness the bewildering array of cable designs, incoporating network boxes, magnets, biased shields, liquid conductors, solid core, braided strands, exotic metals, air dialectrics, to name but a few. In contrast: Regarding balanced cables, at least one experienced poster and equipment designer has stated here that all balanced cables perform identically, once a few basic design parameters are met. I ask for the voices of experience and sanity to offer their theories and experience on the topic of cable design and performance. Thanks in advance.
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- 79 posts total
- 79 posts total