Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
Hello David,
I look forward to your listening impressions of the Sophia blue glass 300b tubes. I’ve auditioned many 300bs over the years and it was both fun and informative.

Mitch2,
I believe that the vast majority  here at this point share your recognition of "agreeing to disagree ". It seems that the arguments have been exhausted with no new points being made. Either the fuses improved your system or they did not. For many posting here they did. For a few they did not.
Charles,
^^^

Okay, hard as it will be, I'll try to keep quiet out of respect to the other posters. Hopefully, my last post made sense to "WCE."

Some music not to overlook is the small group trio stuff done by Harry Connick Jr.  He's an excellent jazz piano player and he really cares about the quality of the recordings he puts out. I listened to two of his CD's early this morning and the group was right there in the room. Very accurate piano recordings. 

OP


Hello Frank,
For clarification I was not suggesting that you need to be muzzled.  I was just expressing my own observation that what more can be said in terms of rebuttal from either side. 

Harry Connick sure was a big name during the 1990s primarily as a vocalist.  I'll check into his piano recordings, thanks. 

This weekend  my wife, her cousin and I attended the Detroit Jazz Festival downtown on the riverfront. Beautiful sunny,80 degrees and no humidity,  perfect weather and large, happy enthusiastic crowds.

We got to hear Rod Carter, Russell Malone,Roy Hargrove,  Marcus Roberts and other terrific jazz musicians.  Wonderful live jazz the entire weekend! What a treat.
Charles, 
^^^   No problem, Charles ... 

Your post made a lot of sense to me. There's been way too much energy spent hoping that somehow through osmosis some logic might seep into the brains of those who should already get it. They don't. They won't. No matter how one tries, their stubbornness prevails. So what's the use of even trying?

With the improvement of resolution and musicallity in the system, I'm discovering some really good artists. I had a couple of Harry Connick's CD's and one of his LP's for a  number of years. Like a lot of music in my collection, they just sat dormant on the shelf. Well, I got out the LP of Connick's "When Harry Met Sally" sound track and played it. VERY enjoyable indeed. That led me to discover Connick's recordings of his jazz group. No singing, just good piano jazz accompanied by other accomplished musicians. Good stuff ... and it swings. When I  hear Connick sing I'm reminded of a combination of Sinatra, Torme' and Jack Jones. I guess you could call the guy a song stylist.  

OP


Frank,
Due to your efforts this thread has made many music lovers aware of a very good tweak, myself included. You should be justifiably proud. 

Different topic,  
Frank do you have any recordings of Hampton Hawes? He was a first rate West Coast style pianist.  I really enjoy him, as they used to say, this cat can play! He did some wonderful collaborations  with Harold Land and Jim Hall in the 1950s.
Charles,