When will there be decent classical music recordings?


With "pop" music the recordings are such that you can hear the rasp of the guitar string, the echo of the piano, the tingle of the percussion ... and so on .... and in surround sound.
Surround sound is brilliant in picking out different instruments that would otherwise have been "lost" or merged with the other sounds.
Someone will say well that is not how you listen at a concert, but that is just archaic. As a friend said many years ago to me ... whats wrong with mono?!
I am sure Beethoven or whomever would have been excited if they could have presented their music in effectively another dimension.
I have yet to come across any classical recording that grabs me in the way it should, or could. Do they operate in a parallel universe musicwise?
I used to play in an orchestra so I am always looking out for the "extra"  presence in music ... in amongst it, not just watching and listening from a distance


tatyana69
"I don't think composers necessarily wrote for concerts....".  

Could be I'm taking that out of context and, as a result, misunderstanding, but in the days before mass media and electronics, how else would a composer have their work heard other than by live performance, i.e., in a concert?

What I am saying is that in those days the composer wrote the music.... and the only outlet was a concert. Doesn't mean he wrote to accommodate concert precepts
In a similar way, Tchaikowski wrote his violin concerto without understanding the violin - hence it is so difficult
They write the music - and then get it presented in whatever way is infradig at the time

I disagree with your assumption that classical composers would ' would have been excited if they could have presented their music in effectively another dimension', given that their music was either presented in a concert hall or salon(for small ensembles). To me the homogenizing of various instruments is what makes a classical piece worth listening to.
-Just listen to late Mozart when his use of winds and horns really shine. 
If you record each instrument closely you lose the effect the composer was trying to make.


Am I incorrect in assuming you (tatyana69) are speaking of orchestras, music written for them, and performed in a large concert hall? Well, there is also "Classical" music written for smaller ensembles meant to be performed in smaller venues. "Classical" is used as a category for all "composer-written" music, but there are, as you may know, different periods within that form. During the Baroque period (1600-1750) there was a lot of music written for solo instruments (harpsichord, cello, violin) and small ensembles. And there are many incredible recordings of this music, where the intimate details of each instrument can be clearly heard from a close perspective, not dissimilar from those in "Pop" recordings. I have some harpsichord recordings which put the instrument right in front of me in my room. Or, even better, me right in front of the instrument in the room in which the recording was made. Look for Trevor Pinnock performing music for harpsichord on the British CRD label (on LP) for some electrifying music, recordings, and reproductions in your music room!