Yes Jeff, DEQX inspired me to build my own speakers.
I had always been impressed with Open Baffle designs because of the lack of cabinet colouration and great transient speed so I set about building various prototypes several years ago, using my original HDP-3. Once voiced exactly as wanted, I then commissioned a CNC workshop to produce the final frames in zebrano bamboo.
When you master the workings of DEQX (no mean task!), speaker building and tweaking is fascinating. I recommend going to the trouble to take measurements outdoors which produce an almost pure anechoic response (in my most recent example, windowing calibrations to 31ms before even a slight reflection, only from the mic stand). The cleaner the initial data, the better will be the final result.
Being able to use 4 preset configs with differing crossover types, frequencies and slopes enables you to listen instantly ’on-the-fly’ with music playing, although I suggest newcomers start with the DEQX defaults until you understand the various interactions. You can then go much deeper, configuring for minimum phase or minimum delay etc and learning exactly how to bring the best out of each individual driver. It’s also great that DEQX measurements treat everything downstream of the processor as one, meaning that the impact of your cabling & amplification is also taken care of by the resulting calibration - as long as you don’t change anything of course!
I learned quite fast, for instance that the tweeters in my setup had one ’perfect’ crossover point for both they & the midranges below - above this frequency there was some beaming and thickening but crossing lower, treble became subtly more brittle. Also, by trying various natural wool tweeter surround shapes & placements, measuring & listening again in-room, everything was finally clearer, more focused & smooth than any other speaker I have heard. Being able to make a change, set it into your main config and listen to music for days or even weeks before further adjustment in one of the other 3 presets means you really can be sure that changes are beneficial. Everything is also reversible or repeatable.
Please let us know how you get on & various of us here will be happy to assist if needs be. I was asked to look through the draft of the most recent DEQX manual as an experienced ’user’ by Kim Ryrie before it was published & I can confirm that it is now much more user friendly & logical to follow. It should be much easier than when I started out!
Andrew
I had always been impressed with Open Baffle designs because of the lack of cabinet colouration and great transient speed so I set about building various prototypes several years ago, using my original HDP-3. Once voiced exactly as wanted, I then commissioned a CNC workshop to produce the final frames in zebrano bamboo.
When you master the workings of DEQX (no mean task!), speaker building and tweaking is fascinating. I recommend going to the trouble to take measurements outdoors which produce an almost pure anechoic response (in my most recent example, windowing calibrations to 31ms before even a slight reflection, only from the mic stand). The cleaner the initial data, the better will be the final result.
Being able to use 4 preset configs with differing crossover types, frequencies and slopes enables you to listen instantly ’on-the-fly’ with music playing, although I suggest newcomers start with the DEQX defaults until you understand the various interactions. You can then go much deeper, configuring for minimum phase or minimum delay etc and learning exactly how to bring the best out of each individual driver. It’s also great that DEQX measurements treat everything downstream of the processor as one, meaning that the impact of your cabling & amplification is also taken care of by the resulting calibration - as long as you don’t change anything of course!
I learned quite fast, for instance that the tweeters in my setup had one ’perfect’ crossover point for both they & the midranges below - above this frequency there was some beaming and thickening but crossing lower, treble became subtly more brittle. Also, by trying various natural wool tweeter surround shapes & placements, measuring & listening again in-room, everything was finally clearer, more focused & smooth than any other speaker I have heard. Being able to make a change, set it into your main config and listen to music for days or even weeks before further adjustment in one of the other 3 presets means you really can be sure that changes are beneficial. Everything is also reversible or repeatable.
Please let us know how you get on & various of us here will be happy to assist if needs be. I was asked to look through the draft of the most recent DEQX manual as an experienced ’user’ by Kim Ryrie before it was published & I can confirm that it is now much more user friendly & logical to follow. It should be much easier than when I started out!
Andrew