Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Don't like these? Git outta Jazz!!!

http://www.youtube.com/watch?v=1jDDtUFUgbM
Bey Sisters SMOOTH SAILING

http://www.youtube.com/watch?v=WVrB0TqRkEU
Bey sisters LOVE

http://www.youtube.com/watch?v=zCwWOEEvOjY
TASTE OF HONEY

http://www.youtube.com/watch?v=RNR0iLw92Gc&index=14&list=PLV6hME6DzFRSZy8PSXolDVKeWbcye7dLg
THE THRILL IS GONE

Cheers
O-10:

****Regina Carter has really blossomed; I have a CD by her that I'm not too fond of*****

I agree completely. I also have an older CD of hers that I don't play alot.

***her jazz sensibilities make her sound like an old pro,***

Exactly!! Well Stated.

Cheers

Rok, could you post what CD's these cuts are from. She compliments the musicians she's playing with so well that they sound better; that's the sign of an old pro who's still young.

Regina has also acquired an old mellow sound on her instrument that reminds me of somebody; I'm sure Frogman can tell me who. That sound is most profound on "I Can't Believe You're Still In Love With Me." Instead of forcing the music, she's just letting it flow.

Keep em coming, I'm enjoying the music.
O-10:

*****Rok, could you post what CD's these cuts are from*****

I am not sure there is a CD. If there is, I have not been able to find it on Amazon.

Cheers
O-10, Regina Carter's main influence (by her own admission) was the great Stephane Grapelli, and probably the reason for your astute observation about her tone. In addition to that it is possible that her violin is slightly larger than typical. Not all violins, while still considered "full size", are of the exact same size, and from pictures and videos it appears that her violin may be slightly larger than typical and that would be a contributor to the warm sound that you hear.

Regina Carter is a fine player and I agree with your observation that she has really blossomed. Her playing has not always impressed me at a level commensurate with the rep. I am very impressed with her playing, but have to temper my enthusiasm when considering the level that I think she is striving for and not quite reaching yet in a consistent manner. She plays with a really great feel and jazz sensibility and has obviously done her homework, but there are some technical issues that, for me, distract from full enjoyment compared to, for instance, Grapelli's lofty standard. Pitch is something that great players use and manipulate as a way to add color to the tone and to project a certain attitude; by playing slightly under the pitch a certain "bluesy" attitude can be projected. However, sometimes that is simply the way the player hears things all the time and/or is the fault of a technical deficiency and there is a constant sense that she is always reaching for the pitch and not quite getting there (flat); for me, it's a distraction that isn't necessarily a deal breaker if the music is really happening in other ways. I know some will think I am nitpicking and my comment may seem unfair, but I think there is a bit of hype going on here for a variety of reasons. None of this should be surprising; I have never heard or read a qualifying comment about Grapelli's playing "having blossomed". She is a really good player, but the bottom line for me is that I don't hear enough "there there" to want to go out of my way to listen to what she has to say musically; and, if simply violin playing is what I want to hear I would prefer Grapelli (admittedly more steeped in a "hot jazz" vibe):

https://m.youtube.com/watch?v=Ih_62WMfWEc

https://m.youtube.com/watch?v=JnhgapeBWuE

And for someone who is still with us:

https://m.youtube.com/watch?v=r4kvzWLSDT4