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What do audiophiles want from a cable?

What should a high quality interconnect or speaker cable do to the sound of a system? Make it more transparent? Improve the sound stage and focus? Soften unpleasant highs? Tighten the base? Bring out the mids?

To me, a good cable should reveal more of what is on the recording and more of the true nature of my components. So when trying new cables, I look for more detail and accuracy without becoming cold and clinical. This seems logical, and yet after reading reviews and trying a few of the cables in the reviews, I find that the cables that have received glowing endorsements are not especially transparent or revealing. They modify the sound, but they don’t take me where I want to go. I wonder if the reason I don’t hear what the reviewer heard is that I don’t know what to listen for. Am I too focused on cable accuracy and resolution, and not enough on actual sound quality? Or is it just a case of no two systems sounding alike so why trust a review anyway? Thanks.
mward
erik_squires
16,049 posts
 
  • Very expensive and difficult to use tone controls
  • Imaging enhancement (see above)
  • Endless merry go round
  • financial sense of ownership and accomplishment
  • The chance to enhance our own discernment of equipment instead of music.
  • Social sense of belonging.

I built my own interconnect cables from solid silver core wiring, and got off the merry go round. All my equipment plays well with it, or it doesn’t come home.



Best,

Erik

inna
7,296 posts
 
Only broken active components don't care what kind of cables they are connected with. Just as broken hearing cannot know the difference, so the argument hearing is believing does not apply here. And if there is a situation of broken brains, then it becomes especially tough.
psag
518 posts
 
There seems to be two schools of thought, with membership being somewhat age-dependent.
 
Attendees of the older school want their systems to sound good, and seek out cables that make their systems sound more 'musical'.

The youngsters gravitate towards neutral, full-range, highly resolving components and cables. The results in this case are more dependent on other issues, such as room acoustics and the qualities of the recording.
inna
7,296 posts
 
I agree with two school idea but I would categorize it differently. One school are those who want to hear it as it was recorded, good or bad. And another school are dreamers who want to hear it the way they want it to sound.
hifiman5's avatar
hifiman5
1,832 posts
 
And there is nothing wrong with those two schools.  Each listener gets to decide which camp they place themselves in.  As long as they are happy and satisfied with where they are then so be it.

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