To the original topic, the short answer is 'yes, definitely,...'. In my case, it has come to be a stack of Esoteric separates that offer great synergy and truly musical playback. There are many other great examples both with and without speakers in the line-up that people have called out including Classe, Krell, Linn, McIntosh, MBL, etc....on this thread as well as others including Gryphon, TIDAL (Germany), Hegel & Electrocompaniet (Norway) and several others that come to mind.
Would you go all 1 brand for electronics?
When I was younger I used to dream of stacks. Especially Tandberg. The sexy black and chrome gear was amazingly sexy, and sleek. Ahead of it’s time really in that respect. Kyocera, Studer, Sumo, Amber, Hitachi, Yamaha, Technics, were all making gear that stacked beautifully together. Of course, so was McIntosh.
Then I got to hear a demo of Conrad Johnson gear driving a Martin Logan single panel speaker. It was good, but as soon as the CJ amp got switched out for a solid state amp, it was absolutely magical. That broke the spell for me. When I got older I found myself mixing and matching more and more, as well as often wishing there wasn’t a single damn cable in the system and it all just worked. :)
I tried going all 1 brand with Parasound, but then I discovered great sounding digital amps and instead of going with many Parasounds I went with little monoblocks, and the whole stack idea was broken. They don’t make sources anyway.
So my question for all of you, especially those of you who do not have all 1 brand stacks of gear. If you had to choose, from source to amp, a single brand, what would it be? Of course your paying for it, so keep the cost in mind. :)
I think we should reasonably exclude record players, though some like McIntosh DO make them.
Best,
Erik
Then I got to hear a demo of Conrad Johnson gear driving a Martin Logan single panel speaker. It was good, but as soon as the CJ amp got switched out for a solid state amp, it was absolutely magical. That broke the spell for me. When I got older I found myself mixing and matching more and more, as well as often wishing there wasn’t a single damn cable in the system and it all just worked. :)
I tried going all 1 brand with Parasound, but then I discovered great sounding digital amps and instead of going with many Parasounds I went with little monoblocks, and the whole stack idea was broken. They don’t make sources anyway.
So my question for all of you, especially those of you who do not have all 1 brand stacks of gear. If you had to choose, from source to amp, a single brand, what would it be? Of course your paying for it, so keep the cost in mind. :)
I think we should reasonably exclude record players, though some like McIntosh DO make them.
Best,
Erik
- ...
- 85 posts total
For one manufacturer, besides speakers, I would do the NPac combo from Aurender.....a 100w integrated including DSD/PCM DAC along with a 4 terrabyte storage/playback unit.....for under 5K retail.... I would partner them with the unbelievable Ryan 610s for 2k retail Here's a video of that combo with the 610s larger brother........ https://youtu.be/hkX7v5JeJD0?t=59s Ultimately, for 7K retail, or around 5500 real world, you'd have to go at least double or triple to approach what you'd achieve here..... |
I'm running the full line of Rogue's top components: Apollo monoblocs, Hera II preamp, Ares phono. An absolutely fantastic match with my Tannoy Canterbury. There are no worries about sonic matching between components -- they all gel together. The MSRP of the full Rogue stack is 22K, though I've also added a Bob's Devices 1131 SUT and tube upgrades. Rogue gets lots of attention for their entry-level and midrange-priced products, but not so much for their top line (at least in North America). But they represent a very nice option, above the midrange-priced stuff but still below the "full audio retard"-priced gear -- and well worth the money over the midrange in my experience. When you get this Rogue stack behind some great speakers in a decent room (as Rogue has done at some shows), I think it's hard to not walk away impressed. Some years ago I inserted a VAC Renaissance III pre+phono in place of the Hera/Ares, and it definitely had its good points, but in the end I went back to the Hera II and then the Ares again. I've also heard various full VAC stacks, and they're all capable of sounding very very nice, but cost A LOT more once you get beyond the basic Sigma 160 integrated. All my systems prior to this were mixed, and basically sonic junk compared to the current end result, though they consisted of some nice components. |
- 85 posts total