Learsfool, I am glad you chimed in about that. I was going to after first reading the comment about Juilliard, but frankly I was almost in a state of disbelief at the comment and all I could muster was my "retort" about Wynton having also attended Juilliard. I certainly agree with your comments.
This topic has come up before in this thread and I am mystified at the apparent insistence that somehow jazz players don't require or, at least benefit greatly from, the kind of study and dedication to music theory, instrumental rudiments, purposeful honing of rhythm via intense practice, and many other ingredients of good musicianship (the nuts and bolts) the way that classical players do; that somehow the authenticity of jazz is diminished if the player does that. Obviously, that is simply not true and points to a very sophomoric understanding of what making music is about. The great jazz players were relentless practicers and voracious students of all aspects of music.
This topic has come up before in this thread and I am mystified at the apparent insistence that somehow jazz players don't require or, at least benefit greatly from, the kind of study and dedication to music theory, instrumental rudiments, purposeful honing of rhythm via intense practice, and many other ingredients of good musicianship (the nuts and bolts) the way that classical players do; that somehow the authenticity of jazz is diminished if the player does that. Obviously, that is simply not true and points to a very sophomoric understanding of what making music is about. The great jazz players were relentless practicers and voracious students of all aspects of music.