"Southern Comfort" and the "new" Regina Carter were a surprise from jump street. The first cut "Miners Child" caught my attention; she gets into Appalachian music like I've never heard it before, her violin became a southern country fiddle.
Somehow this music brought back memories of riding on a "Trailways" bus, on a moonlit night gazing across wide expanses of nothing except for an occasional farm house silhouetted by the moonlight. Unless you have traveled the south on two lane black top roads by "Trailways" bus, you ain't seen the south. Her music brought back those memories, it was also reminiscent of Ry Cooders music that paints southern landscapes.
This "new" Regina Carter was a very pleasant and welcome surprise that defied genre.
Enjoy the music.