What do audiophiles want from a cable?


What should a high quality interconnect or speaker cable do to the sound of a system? Make it more transparent? Improve the sound stage and focus? Soften unpleasant highs? Tighten the base? Bring out the mids?

To me, a good cable should reveal more of what is on the recording and more of the true nature of my components. So when trying new cables, I look for more detail and accuracy without becoming cold and clinical. This seems logical, and yet after reading reviews and trying a few of the cables in the reviews, I find that the cables that have received glowing endorsements are not especially transparent or revealing. They modify the sound, but they don’t take me where I want to go. I wonder if the reason I don’t hear what the reviewer heard is that I don’t know what to listen for. Am I too focused on cable accuracy and resolution, and not enough on actual sound quality? Or is it just a case of no two systems sounding alike so why trust a review anyway? Thanks.
mward
Blind testing removes confirmation bias.

If you don't understand that, then you are doomed to live with a tin-foil hat on your head.
randy-11 wrote,

"Blind testing removes confirmation bias.

If you don’t understand that, then you are doomed to live with a tin-foil hat on your head."

Wow! If you’re worried about confirmation bias you’re in a world of hurt.

But what I’m really driving at is that if a blind test results are negative what can you conclude? Nothing. Any test blind test or otherwise is just a data point. There are many reasons why a test might have negative results. So, that’s why you actually can’t point to blinds tests as proving something doesn’t work. Conversely if a blind test's results are positive then we can say, hey, this thing might have a shot! Follow?

Yeah laser will be the step up from the batteries slapped on cables i predict. It's exciting. Now do the fluid filled cables need to be lifted off the floor to sound their best?

If there is a floor vibration - yes. I have almost none unless the volume is very high, I don't listen at such volume level.
Also, when installing fluid cables wait for at least a few hours before critical listening, they need some time to settle, even better wait for a day. Half an hour is definitely the minimum.
Anytime I insert new cable into the system, I let it play overnight and during the day while away at work.  When I come home that next evening, the cables have usually settled in and are sounding the way they were meant to sound.  Unless of course they are band spanking new, then 200-300 of playtime is typical burn-in time IMHO.  Fact is, it takes time and patience with cables.

Thanks Inna for the feedback, love to hear more of your impressions of Neptune sound.  I heard thru the grapevine, according to JA, they are the most popular cable in the Luminist line lately.

@chrisr  Cable elevators are a must for my speaker cables.  I hear less focus at higher volume when cables are left on the floor.  Complex musical passages can seem jumbled together and the sense of attack and decay seem to be negatively effected in my experience.  Interconnects don't make it down that far in my setup, but I'd expect the same from them.