Regarding mb1audio's question, yes of course that would provide a mono signal, but I would wonder if the corresponding lateral movement of the stylus would allow as precise an adjustment of azimuth as the vertical movement that occurs while playing an out of phase track would allow. Maybe it would and maybe it wouldn't; I'm just not sure.
If the preamp or phono stage has a relatively high output impedance I suppose it would be reasonable to simply sum its L and R outputs together with a y-adapter. But I would be hesitant to do that if it has particularly low output impedance, especially for a significant length of time, at least without getting an ok from the designer. The resulting current flow between the output stages could conceivably be more than they were designed to handle safely.
I suppose the best approach might be to purchase an inexpensive pro-oriented mixer, and connect it to the outputs of the preamp or phono stage. B&H Photo/Video (bhphotovideo.com) sells many such devices.
Regards,
-- Al