Synergistic Red Fuse ...

Happy New Year to all of you who have taken the time to contribute to this very enjoyable thread. Its been a real pleasure for me to meet so many dedicated audiophiles here on A'gon. Here's to a great and positive 2017.  

missti ..

I read an interesting article recently about Chet Baker. The author made the assertion that Miles Davis spent his entire career chasing Chet Baker's tone ... and never quite captured it.  After reading the article, I can hear the author's point when listening to Miles now.

Misstl,
I see your point, I have many jazz recordings from the 1950s-1960s and the vast majority of them sound oh so good! As fletcher noted in his post above, good quality tube equipment, generally simple signal paths and talented sound engineers with high standards and good ears are responsible for the recording quality.

Misstl my tubed preamplifier and power amplifier came with "stock" fuses and tubes installed. How did they sound? Wonderful! However when I changed to better quality tubes and fuses there was unquestionably improved sound quality. The original sound was never substandard by any means with generic tubes/fuses. In addition to tubes and fuses, improving wire and capacitors can clearly improve the sound of equipment.

Essentially the baseline sound began as "very high caliber " and moved further upwards with the inclusion of superior parts. I believe that the sound engineers did their best with what was available to them during that era. If they were made aware of better quality items I suspect most would have taken advantage.
Happy New Year folks,
Charles

Frank,
I suspect that author may be stating opinion/speculation rather than fact. Miles had been well established nearly 10 years on the jazz scene prior to Chet’s arrival. I can fully accept the idea that Miles  admired Chet’s tone, but chasing to mimic it  for his entire career? Miles had his own sound and approach to the trumpet and was always innovative and searching for ways of musical and creative expression.

You could make the case that he had 4 different career eras based strictly on his changing styles of playing. Bebop,Hard Bop, Modal and fusion, and perhaps some further subcategories. I don’t question that he admired the trumpet tone of Chet, he openly admired the playing of trumpeters Clifford Brown and Fats Navarro.
Charles

Advise on the Synergistic research Black fuses , recommendations .
due to standard fuses with a variance of over 15%  many times the very accurate 1% or less Premium fuse will pop. Recommend to go up one size bigger
and still be very stable  and runin time 48 hr to Start runin ,200 hours to full resolution  . These coating are very  stable but demand  lots of use to stabilize.