Evaluating a system - what do you listen for?


I have been in this hobby a long time and my opinion of what I want to hear in reproduced music continues to evolve. Having owned many systems - and critically listened to many, many more - I am now looking for an overall sound that as accurately as possible captures the tone and tempo of the music with enough of a bass foundation to convincingly portray an orchestra at full tilt or club beats while still nailing the timbre of an upright bass. Decent portrayal of leading and trailing edges is nice, and a high end that’s fully present and balanced without stridency is a big plus. Detail’s good, but hyper detail without musical flow can be distracting. Airy treble and pinpoint or large soundstage are also nice to have, but if what’s coming out of the speakers doesn’t make me want to tap my toe or cry a little bit when a vocalist holds a note just so, then what’s the point? That’s what I’m looking for these days - what about you?
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Here’s a thought regarding the "timing" ability of a component: Being a drumset player, I value the "rhythm & pace" abilities of a component and/or system as much as anyone. Both Art Dudley and Herb Reichert make this ability a large focus of their component evaluations in Stereophile, even of electronics. Let me pose a question to ya’ll: How much do you think an electronic component can affect the timing of music? My opinion is that the effect on timing by electronics is far, far exceeded by that of speaker and listening room behavior, the effect of electronics being miniscule in comparison. In low frequencies especially, there is NO room which does not produce bass resonance modes, causing bass notes to linger after the signal has stopped. The result is the common bass-overhang (characterized as "slow", "fat", etc.) often blamed on the speaker or sub, when the real culprit is the room itself. Before you worry about the ability of an electronic component to effect timing, you had better have dealt with your rooms acoustical behavior.

Now speakers and turntables, being mechanic devices, ARE a genuine cause for concern and attention in regards to timing---cartridges, being an electro-mechanical transducer, as well. But electronics? Swamped by other factors imo.

I think it's too difficult to quantify in hifi terms.  I want a system that makes me want to sit and listen, as opposed to a system where I get up after 10 minutes and wash dishes or some other chore.  While I have a few bucks invested in my system, sometimes I can just sit and listen to my Tivoli radio when I like what's playing.  
Thanks for your thoughts everybody.  A comment on the importance of timing.  My brother is a musician and he would agree from the perspective of a player, that in a group of 2 or more people, timing is the ultimate separator between good, mediocre and awful.  So it would figure if we are trying to recreate music in our homes, work place, cars or even headphones on the go, if our playback systems (including the listening space) cannot faithfully honor the timing in the original performance, then much of the other elements that make music enjoyable to the listener are severely diminished.