Well, it’s a plus to get at that response even out of a seemingly fairly conventional 12" driver mounted like that I suppose. It covers fundamentals of most musical instruments including voice but harmonics to a more limited extent.
X000 series advertised evolution not revolution in the sound so I can’t imagine versions prior would be that much different in approach though the originals were not nearly as good sounding as those that followed.
7khz out of any driver like that seemed a stretch but who knows. That figure got in my mind somewhere along the line but do not recall the exact source.
Its possible smaller drivers in smaller models go a bit higher I suppose. If so, I’ve not noticed much difference in teh end result to date when comparing 100S3 (8" driver) to 5S3 (12").
I think it would be accurate to say conventional 2 way designs with smaller drivers are more common. I can’t think of any quality 2 ways that use a 12" driver other than these. Most are 3-way or more.
I’ve always been a fan of as few drivers as needed to get the whole job done. The sound is almost always more coherent sounding to me that way.
In the case of teh CLS drivers, I suspect the ability to mount the tweeter physically where it is relative to to driver is a big contributor to the time coherency which might account for that aspect of the Walsh CLS speaker sound compared to many others perhaps more so even than the driver crossover frequency.