Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
One of my all-time favorite recordings of any work is the LP I have of Stravinsky’s Firebird Suite (as opposed to the complete ballet that is on the recording you referred to), Robert Shaw conducting the Atlanta Symphony Orchestra, on Telarc.
I’ve got 4 or 5 versions, the best by far to these ears is the one, hdcd.

https://referencerecordings.com/recording/stravinsky-the-rite-of-spring/

https://referencerecordings.com/recording/stravinsky-the-rite-of-spring/

Cheers George

Thanks for all of the interesting comments. 

I think my favorite "Firebird" in my collection is an LP of Stravinsky Conducts Stravinsky." On Columbia. Stravinsky was conducting the CSO in celebration of his 80th birthday. It just seems to work. But then ... the conductor is also the composer. 

http://www.ebay.com/itm/Columbia-6-Eye-MS-6328-STRAVINSKY-conducts-Stravinsky-THE-FIREBIRD-VG-TO-NM-...

Robert brought this one over the other night and it was spectacular as well. Robert's was on CD. 

http://www.ebay.com/itm/Stravinsky-Conducts-Stravinsky-Petroushka-MS-6332-EX-vinyl-record-/391704270...

Frank
Frank thanks for the Conte Candoli rec never heard of it before, it's queued up next!
I was just thinking ... we as music lovers seem to collect quite a few different renditions of the same music. As an example, the topic of "what's your favorite Scheherazade" came up the other day here on A'gon.

We actually had a Scheherazade shoot out at my house a few years ago where everyone brought a couple of their favorites. We all agreed by the end of the evening that the one that was recorded on Vanguard was the over all best performance, even beating out the highly acclaimed "Shaded Dog" RCA with Fritz Reiner conducting the CSO. I forget the exact release but here's the LP's:

 http://www.ebay.com/sch/i.html?_from=R40&_trksid=p2050601.m570.l1313.TR0.TRC0.H0.TRS0&_nkw=S...

I'm afraid to count how many recordings I have of Rodrigo's Concierto de Aranjuez. I must have at least 20 different renditions of this music. Everything from Miles Davis, to John Wililams (the guitarist) to the Orpheus Chamber Orchestra.   Kind of like chocolate ice cream. Is there ever really enough? :-)

Frank
jond ...

Let me know what you think. 

Conti Condoli, the trumpet player, and Stan Levy, the drummer, used to play with Howard Rumsey's Lighthouse Allstars in at the jazz club known as "The Lighthouse" in Hermosa Beach, CA. My high school buddy and I used to go hear them a couple of nights a week ... and then try to stay awake in class the next day.

I was so taken by Stan Levy's drumming that we would sit right next to him looking up at his foot working all of the pedals. Levy is one of the few drummers that actually plays music on the drums. Shelly Manne is another that comes to mind.

As you listen to Little Band Big Jazz, listen to how Stan Levy drives the band and keeps his ego out of the way as he does it.

The sax player, Buddy Collette, also did some really great work with the Chico Hamilton quintet too. Now THAT is some great work. Check this out. Its a must have:

http://www.ebay.com/itm/PACIFIC-JAZZ-1225-CHICO-HAMILTON-QUINTET-Mono-LP-DG-/122423073830?hash=item1...

Look for the stereo version ... and not the mono. Fabulous recording and some really cutting edge jazz (for the 1950's). It was considered to be really "far out" back in the day. Collette plays soprano sax on this album like there's no tomorrow. One of my favs ... and everyone I play it for loves it too.

Frank