Jerry Garcia, A Legacy?


Unfortunately, many years have passed since Jerry Garcia engaged in the art of music making. I've never known of another electric guitarist who could incorporate without clear and cut demarcations the many multitudes of rock and roll, folk, jazz, blues, bluegrass, country, explorational real time composition, sustain induced psychedelic developments Be it partially safe to say also that I've yet to know of another electric guitarist whose playing was either loved or scorned to the extent that his was. Throughout my life as a Dead fan and follower of Jerry Garcia and of his various musical projects, I remember verbal battles with musicians who found JG's playing less enlightening than I and often my comments turned into vicious polemics defending the Grateful Dead' artistic integrity. Granted, JG did have many obvious musical hurdles during performances and didn't exhibit a typical so called pristine guitar playing technique but first and foremost consider that he played mainly rock and popular music (to make a point), on mainly an electric guitar, with a pick and 4 fingers, using electronic components on stages inside theaters, OK get real! Does Hiram Bullock posses the same technical polish as Julian Bream? The answer to that is a resounding no, neither did Jimi Hendrix and it's really of no consequence anyhow. What I very much loved about Jerry Garcia was that he placed musicality before entertainment and he took on a sense of risk, even danger, in order to help elevate the other playing musicians around him. Yes, Jerry Garcia's playing often ran hot and cold but when his playing ran hot, the rest of the Grateful Dead or Jerry Garcia Band would rise to a whole new level and when he ran cold, it had tenuous effect on the other participating musicians. I have to attribute Jerry Garcia's heightened level of ensemble cooperation to the way he listened intently with creative imagination, to his sensitive and tasteful playing, to his getting out of the way when the band needed space and to the degree of his vast musical knowledge that he gave away freely whenever the opportunity presented itself. From a subjective perspective while disregarding controversy, the music and persona of the Grateful Dead and of Jerry Garcia touched an enormous fan base which exhibited a degree of loyalty and dedication beyond compare. Many of the kids that I grew up with disliked the Grateful Dead and I would make the radical assumption that they still do. I don't mind bucking the trends and I'll even take a little pride in my prophetic wisdoms. How about you??
128x128goofyfoot
Otherone, 312 times is impressive!  

I don't quite get people who criticize Jerry's technique.  He was usually improvising, in a genre where few guitarists really do so (Clapton, SRV, Hendrix... the list is short.  Even BB King never improvised in public.)  So of course, some of it was forgettable or even missed the boat.  In a typical 4-night stand, one show might be great, one (or parts of it) would be substandard, and the other two enjoyable.  When he was on, it was transcendent.  

For anyone loving Garcia’s mix of all forms of "Pop" music, check out Danny Gatton, a true "guitarists guitarist". Now THAT guy could play all strains of music, and really, really well---a true master. No excuses necessary, unlike Jerry’s sloppy, directionless/lost noodling. No offense JG lovers!

Jerry Garcia was to me a handyman---jack of all trades, master of none. He loved Tony Rice’s playing of Bluegrass on acoustic guitar. So do I. Jerry’s ability at that music was mediocre at best, lacking the necessary sense of lyricism. I’ve played with quite a few guys who played it better than Garcia. He also loved the quick, nimble, fluid Telecaster playing of Country guitarists like Clarence White. So do I, but Garcia lacked the melodicism that style of guitar playing demands. He loved the Blues playing of Albert and Freddie King, but lacked their ability at phrasing. Non-musician Dead fans talk of the bands "Jazz-like" improvisation abilities. Do I really need to say that actual Jazz musicians were not and are not impressed with their skill at improvisation? To call it rudimentary would be to exaggerate. I could go on, but wont.

And then there is the "singing". I saw The Dead with Pig Pen, and he could sort of pull off a white boy version of Blues, on a garage band level. But Garcia and Weir? To put it bluntly, they simply could not sing. It’s hard to do even Everly Brothers style 2-part harmonies when both singers are flat. The resulting sound is "sour"---that is the vocal sound of The Dead. Like it if you want, but I want my harmony---and even melody---singing "sweet".

You are right, bdp24.
But its irrelevant , those concerts were far social than musical events .
For a masterclass in guitar before Jerry picked up many of his "Jerry-isms" check out 12/29/68 Gulfstream Park, Hallandale FL. Just scorching from beginning to end easily one of my all time favorite shows.
I never saw them play live, but their music is church for me.  Jerry was the leader of a band that brought joy to many folks such as me.  Beyond that it really doesn't matter what you think of his technical abilities.  He was one of a kind and a very pure music soul.  That is much more rare and important than a technical prodigy.