Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
Yes he did mofojo but thanks for confirming your experience. I believe the term he used was "adventure". I asked if I should just do some continuous music to get some hours on it and said "No! You will want to hear every hour of the process." The man is into his craft. That's for sure. 
A couple of questions I'll throw out there to no one in particular:

Anyone have experience with Linear Tube Audio AND Melody preamps?

There have been mention of 2A3 and 300B SET amps.
What about the 845's?
Hi Teajay,
What you’ve written on the distinct sonic differences between good quality SS and good quality SET is virtually a mirror image of my amplifier progression and accumulative listening experiences. Musical flow, liquidity, tone, timbre, overtones/harmonics, presence (in the performance venue) 3D presentation, emotional connectivity were superior with a high quality SET amplifier.

One undeniable truth is that people do hear differently and are drawn to various sonic and musical cues. No type of amplifier topology "does it all perfectly " so individuals pick and choose what best suits their own needs. Given this reality I understand why some listeners will prefer a SS amplifier.

Even with an easy to drive speaker such as the Double Impact some will simply prefer to go the SS amplifier route. Your offer to Bullitt to try the Cyber 2A3 SET is a very kind one. Direct  comparison with the Odyssey is the true test to make a decision as their own characteristics will be very aopparent.

I could be wrong (certainly) but I get the sense that Bullitt has decided that for his current system and needs that SS and specifically the Odyssey amp is the better match for him. I believe that he will be happy with this choice.

For me (and you Terry) SET if implemented properly has unique and unmatched musical and sonic capabilities. I do recognize that this conclusion won’t be true for every listener. This diversion into discussing amplifier topologies and preference has been quite interesting.
Charles
Solid-state Class A: Didn’t do it for me
Push-pull SS/Tube: Didn’t do it for me
Class D: (Nords) or Benchmark AHB2: Didn’t do it for me entirely, but definitely an improvement over many PP/SS amps and the very best get closer to a SET in some ways, a viable alternative if your speakers are inefficient or you have a very large room that dictates the necessity for more power than you can get from a SET in your price range.

High quality SET Tube Amplifier with the right Speakers:

Creates a real emotional event that’s dynamic with startling jump factor even at lower volume levels.
Palpability in the midrange and vocal region that can leap out and you think the vocals are simply there in the room with you (startling at times), micro dynamics cues and subtle delays are rendered so well you’re enveloped by a surround sound hologram of the venue using only 2 speakers, tonal textures in instruments that are to die for. A liquidity, and effortless playback that blossoms naturally with no fatigue.

I’m utterly biased in these comments, but nothing connected me emotionally to music more than a well executed SET amplifier and the right speakers.

With EML 300bxls or Elrog 300b at 8 watts the DIs play very loud and lack nothing in the bass region. It doesn’t run out of steam or soft clip and the OPT never over-saturate. If I switch the amp to higher voltage and increase the autobias circuit to 110ma the additional 7 watts from the 300BXL is nice to have at 100db+ playback levels, but it’s overkill, otherwise.





bullitt,

I would say go with that old saying,there is only one way to find out.
Since Teajay has made a offer to loan you the cyber Amp you might just try it out and then you would truly know if It's your sonic cup of tea or not.

One thing I know for sure is that the DI's are a wonderful speaker to have for amp comparison.I personally hope I never go back to horns,full range,or coaxials of any kind,as mentioned those kind of speakers have way to many shortcomings for the few things they do right.

Charles is 100 percent correct that there is no perfect amp for everyone's individual tastes and sonic presentation preferences.

I've been in this hobby for 31yrs and I still like trying different equipment in my own system,this is the only way that I know if I like it or don't.

I will always have a good SS and tube system that I can change out and get a different sound at a moments notice.

Best,

Kenny.