Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Antipodes final opinion.....

I think i spent more time perseverating about this unit then most. The opinion base flows exuberant with supporters of the DX Gen 2 as well as DS lovers and the like. While the original DX was simply outclassed by the Aurender N10 unabashedly, the DX Gen2 stands its ground and went ten rounds without blinking. It never fell or waivered in this battle and walked away with no shame; but it walked away.......

Both would be enjoyed and both are fantastic and I could live with either forever and a day and never blink. But I wasn't listening to them on their own, I was comparing them. And I needed to take my microscope out to make a final judgement call. This statement flaunts the fact that this was a personal decision and varying systems will yield varying results. So I will say as I always do.....

in my system, in my room, to my ears (and those of my "panel's" ears, lol).......

The Antipodes DX Gen 2 took 400 hours to stabilize. But after that, I heard no additional changes. Careful testing to determine which USB output to use (5V on or off) and careful attention to setting up Roon (which I found to be the best sounding "fully" native server app) yielded the best results. This was my first real experience with Roon, and I like it: although I don't really find the Aurender App that much less robust for my personal needs. I previously reported my experience with my Short Block and how I got my best results using the 5V off output with no filtering or Short Block in between. And I opted NOT to use HQPlayer (which many say gives the best possible results) because it requires HQPlayer to exist on a separate computer which is both confusing and counterintuitive to me. So native Roon was what I used.

The enclosure is nicely done and attractive with a simple power button on the front and the outputs and inputs well laid out on back. Nothing was crowded it got in the way of anything else. The unit starts up fast and having a built in Cd ripper is a nice feature. It's software takes a little getting used to but with a bit of experience never have me an issue, froze or became problematic. It was stable. The only issues I encountered was with swapping USB back and forth between n10 and DX. While the N10 is crazy stable and grabs the USB as soon as it's plugged, Roon did occasionally have a hard time connecting with my DAC and I had to reset the Room software once via the Antipodes web control. Other then that, and if it was just left connected all the time, I found it stable and reliable. Roon is great; period.

The Antipodes is wonderful. It's an excellent digital source and makes managing my library and implementing Tidal a breeze. It presented a naturally wide and deep soundstage with proper imaging and the correct sense of space between performers. I found it not quite as black as the N10 and the DX soundstage was shifted about 6" to the left of the N10 (weird, I know). Bass and treble extension and was similar and the reproduction of the midrange was spot on.

Where the differences showed was more subtle. There was a pace to the rhythm of music that was more organic on the N10. The texture of instrument harmonics was more identifiable and perceived. The visual cues given by the auditory cues were more visable; I could see performers expressions with the N10 and I could not with the DX. There is a texture and layering to the tone of mids and especially lower frequencies that was more liquid with the N10 and less nature on the DX. I'm talking SUBTLE!!!! But palpable. 

In the end, the N10 was simply more analog, more engaging, expressed complexity and Harmonic scale better and offered a bit deeper soundstage then the DX Gen 2. 

Did I mention Subtle?!?!!

In a different system, I'm not sure the findings would have been the same. But in my system, the N10 stays top dog for now. And someone else gets to enjoy the DX Gen 2 and will potentially make it sound even better then it sounded in my room.

Fair thee well DX Gen 2. You will make someone VERY HAPPY!!!!!!
Now I'm seriously considering trying an Sotm sMS-1000SQ which come with tX-USBexp as standard USB output, added sCLK-EX clock for the tX-USBexp for ultra low jitter clock. Then ALSO use an external TX-USB-Ultra to reclock again as suggested by Sotm. 

120gb SSD for the Os.

And I also need an SPS-1000 power supply, or better yet, an SR-7 Paul Hynes power supply.

MQA compatible. Comes standard with Roon and JRiver and can add HQ Player if requested. 


I am also arranging some time with the SGM with Al's generous assistance. 

I also opened a dialogue with Neil of Music Vault at several of your requests. Let's see where that goes. But what a nice guy!!!!!!
ctsooner.......you mentioned the new Bonamassa recording....how is the sound quality?  I'm a huge JB fan but the sonics are pretty poor on all of the recordings I have.

TD
TD, I listened to JB at Carnegie recording thru Tidal last night and the SQ is very good, actually excellent.
I too feel it's excellent throughout Tidal.  They really miked it nicely. I went into the hall as soon as they opened it as I was so excited to see him in person finally and to share it with my wife.   The musicians he had were a who's who.  Tina Guo is one of the best cellists going right now and she plays everything. I've started to follow her on Instagram.  There are so many songs where the string just bites through everything.  When they dual on one of the cuts, it's so edgy, but not fatiguing like so many rock recordings.  

I guess he does everything himself from renting the halls, to marketing the shows to doing his own recordings. He owns it all out of J&R Industries in FL.  He was very smart not to sign away his work and he's very smart in the way he runs the business. I sure he has a partner or manager who does it for him.    

No thread hijack here.  Matt, I can't wait for you to get all the toys you are about to get into your room.  You can share when you want, but it's a veritable list of who's who in servers and so many have been mentioned already.  Talk about putting your money/ears where your mouth is....wait, ears/mouth switch....Oh well, back to servers.