Sonic qualities of SET output tubes?


Can you readily identify a 300B, 2A3, 805, 211, etc., amp’s sound with your eyes closed most of the time?


If so, I’sure would like to hear from you.


Amplifier design and the technology utilized within its confines decides the ‘voice’ or influence it will yield as much or more so than merely the output tubes the designer has chosen to use.


I get that part emphatically. One must hear the amp regardless the type of output tube technology on hand.


And yes, some Pentodes and Tetrodes are used as Triodes but are not indeed triodes by their specific architecture. That’s OK, just focus on their use as Triodes herein, please.


There are however certain tube types, irrespective of vintage which have basic undeniable sonic colors or characteristics, apart from their electrical aspects which keep attracting people to amps which use this or that tube in its output stage.


Some love 211s. some adore 300Bs. Some love EL34s configured to run as Triodes. I have an affinity for the latter. So far anyway. This topic could change my mind.


Has your own experience informed you what this or that output tube’s natural flavor regularly announces itself to be so you can have a reasonable expectation of its general presentation?


What sonic attribute continually attracts you to a particular SET tube design, 300B or some others?


Or, conversely, what is it about the sound that would bring you to covet a 211 amp over a 2A3, for example.


Why as another example, would you pick a 2A3 amp over one using 805s or 300B, 211, etc. or vice versa?


Removing ‘vintages’ and electronic or electrical qualities from the argument, what sonic attributes for the more popular S.E.T. amp output tubes have you determined seem to persist in their particular DNA?


I’m asking for input from those SET tube devotees to lend their experiences and knowledge on the subject of what tube sounds like what irrespective of the SET application, generally speaking.


My goal is to try getting a better feel for which SET Tube amp design, if any, I’d want to pursue and possibly invest heavily into going forward as the soul of a new system.


Tremendous thanks to all!

blindjim
Whart is spot on. The sensitivity of the speaker is vitally important and that must be known before picking or considering any amp. For example, a speaker with 89db sensitivity at 8 ohms will require far more power than a speaker with 98db sensitivity at 8 ohms. The first speaker will need at least some 50 watts,  while the second will work with perhaps 3-8 watts.

As the sensitivity goes down the need for more power goes up significantly. I know you are aware of this due to your seniority and experience here.

Knowing how loud you play your music and the type of music played are also important considerations. Can a 30 watt tube drive a 89db sensitive speaker to 75 -78 db comfortably in a modest sized room? Yes most likely. But if you want db levels approaching 90db on average on some listening sessions with orchestral scores, then absolutely not.

I have read some great stuff that Ralph at Atma-sphere puts out on the watts and db relationship with tube amps and speaker sensitivity. Perhaps he can repost that here.
Post removed 
Blindjim,
At the risk of redundancy I must agree with Whart and his sage advice regarding amplifier and speaker matching, a critical point. This is especially true for lower and mid powered tube amplifiers, you have to consider your options simultaneously.

I have three tube amplifiers.
100 watt 6550/KT 88 push pull
40 watts el 34 push pull
8 watt 300b SET

The 8 watt has superior sound quality driving the same speaker as my other two amplifiers. This possible due to the choice of the speakers I use. I suspect that you’d be very pleased with a moderately powered class A tube push pull, Jadis for an example or the VAC Renaissance 30/30 (300b push pull) with an easy load speaker with sufficient sensitivity. SETs aren’t for everyone although they’ve served me extraordinarily well.
Charles
blindjim,

I can relate to just about everything you have said,

I may listen to a little bit different music than you do and have a slightly bigger room,20x25x9 that opens into our kitchen.

I have put a lot of effort in matching the right components to get the best sound for me overall.

I have Tekton double Impact speakers that are 95db with 1 watt,and they have a relatively flat impedance load so they are easy to drive.

I have the linear tube audio MZ2S preamp which can be used as a headphone amp and also can drive speakers with a 1.38 watt output into 4 ohms.

I have tried quite a few different amps with these speakers and I like the Linear tube audio Zotl 40 with both products using all nos glass.

Kenny.

Whart > If you are asking about SET amps, I don't think the question of speakers is a secondary one.

Blindjim > Thank you. you are indeed correct on the synergy factor. I’m in the assimilating information role currently on both ends of this enigma. , er, project.


Speakers are IMO way more sexy and impossible to ignore in a room. I feel too, they are the only items one should see or hear as the electrical gear needs be sequestered into an adjacent room or space as is my present circumstance.

BTW… which Horns?



Grannyring > The sensitivity of the speaker is vitally important

Blindjim > Thanks Grannyring. Very grateful for the affirmation. Got it.

It works the other way ‘round too. In fact, once I quit being stubborn and dive into the tube amp (s) path, speaker types and their attributes will be forced into renegotiation. I suspect then, both amp and speakers will be bought or ordered in simultaneously, each with the other well in mind.


RE driving to concert levels.
This is hardly an issue for me sure I’ll kick things up to an average of in room db levels to 94 or 95db…. For one song, maybe two. That’s all. Perhaps a few songs will get some more watts beyond avg. levels, but I’ve noticed with the loss of vision and some maturity, I’m no longer attracted to loudness for the sake of loudness alone.

it actually hurts.

Usual listening levels are just above being able to casually talk to someone else in the room, requiring the sound be turned down or muted to do so. So somewhere in the mid 80s maybe. Never bothered to test it when I had the chance or did and then forgot...


Which ever match up gets the nod, it will be more than capable of handling these isolated events.

I’m nuts, not insane and I would sort of like to keep the hearing I still possess in tact. In fact, if I’m at a location and the levels are tremendous I’ll probably leave regardless how much I might love the performers. Ordinarily I’m only going to outdoor shows, in the evenings or from Nov to Apr., when possible.

Lengthy streams of screaming wailing instruments and singers have slipped into the ether leaving me fondly and forever behind their wake. They are but intermittent blasts from the pasts these days.