Which personal confuser for ultra high end audio, MAC, PC, notebook, tablet or desktop?


Hello all!

Existing circumstances dictate the OS must be either Windows, or MAC, only.

My daily “lots of use” desktop pc is an 32 bit XP OS Dell that was used by the Spanish Inquisition.

I’ve made minor upgrades to RAM and HDD only.

I need a new personal confuser. I’m gonna get one quite soon. I need to know going forward which platform and configuration will serve a digital sourced front end best in 2017.

That is, of course, if there is still any significant disparity between MAC and PC OS with regard to present software, or hardware limitations or other concerns.

My barely used 4 year old windows 7 Dell 64bit box never has run Office 2010 right but does enable PCM file playback via Lynx AES Exp SC and JRiver & Foobar 2K and iTunes infrequently.

I’ve only had exp with Windows machines. However, I own Apple iPad Air II and iPhone 6 S. but I’m a pretty quick study so adapting to a new OS ought not be a big deal.

I do not have a working laptop and one would be a real aid for day to day situations as well as ripping and playing files, streaming audio playing videos, and so forth.

This latest ‘new’ machine will be a daily use computer for office oriented affairs as well. Email. Correspondence. Archiving documents. Data collection. Contacts.

I’m leaning towards a MAC, but not sure which way. IMac or Ibook? Both appear as semi portable and the Imac can sport a 4 or 5K display. The display isn’t a big deal for me bit the RAM and CPU needed to support the far greater resolutions of a 4 – 5K display would be nice IMO. Computer Horse power is always a plus.

The only issue I see with the iMac, is the thing itself. It’s a big display and looks like a problem waiting to happen when wiring it up or into the LAN and audio system.

I have a Synology Disc Station NAS. The plan is to acquire a versatile DAC for DSD and Tidal playback.

Am willing to add whatever else thereafter to achieve the intended goal mentioned above. Apps, additional hardware, etc.

Your experiences and Thoughts would be most welcome.

blindjim
Jim the Aries was indeed an upgrade in both sound quality and user interface but what really spurred me to change initially was wireless capability. The Sonos I was using was wireless but only on a single band the legacy 3.4 ghz band, which in my urban environment, downtown DC, was quite crowded. The Aries has a dual band modem and can run on the newer much less crowded 5 ghz band. Since making the change overall performance and ease of use improved and the intermittent dropouts I was experiencing with Sonos stopped. Don't worry too much you're a good part of the way there,  for me another big step forward in sound quality was when I introduced my Synology NAS to the system so you have that going for you already.
"Is someone now going to chime in and say the Ethernet cable itself matters too?"

Hi Jim, I recently installed an Aurender as my server/renderer/streamer (replacing my laptop) to my DAC. The Aurender requires Ethernet connection to my router/modem (not wireless like the Aries). The latter was located a long distance from my listening room. I started with a generic 75’ CAT6 cable between the modem/router and the Aurender. The sound was pretty "meh".

Then I relocated my modem/router to my listening room and installed a 1 meter generic CAT7 cable between it and my Aurender. Much better.

A few days later, I installed a 1 meter Synergistic Research Ethernet Active UEF SE cable in place of the generic CAT7 cable. Further improvement still. Sounding like music now.

So far, I found through comparing USB cables (Shunyata Venom vs Curious vs WW Platinum Starlight 7) that the USB cable makes the most difference by a wide margin but my experience is that the Ethernet cable makes a significant difference too.

FWIW.

Dave


Marktomaras > I hope this is useful! Feel free to contact me if you'd like more info. Good luck!

Blindjim > that was a super assist. I could not have asked for more. thanks tons.


Jond > The Aries has a dual band modem and can run on the newer much less crowded 5 ghz band

Blindjim > super. THX! This 5GHz protocol I’ll assume is one which works in defference to the WAP setup in the ISP provided on site modem?

I’ll also presume the settings for the Aries are within the mobile device lightening app.

Dlcockrum > The Aurender requires Ethernet connection to my router/modem (not wireless. …. the USB cable makes the most difference by a wide margin. …. Ethernet cable makes a significant difference too.

Blindjim > and there it is! Lol I did not doubt it for a minute. Mark the calendar if its not already, Ethernet wires now officially matter. lol

It seems now, the decision is which protocol to use, and investigate ROON a lot more.

If the USB gremlins can be eliminated entirely, and as well a solid clock or reclocking comes as standard or as bonus, then aiding or adding in the clocking aspect should be the proper selection for a bridge or server, or renderer thingy..

Although, USB and DSD presently appear to be married especially for DSD2 (128) or DSD4 (256) in a few of the newer DACs I’ve read about. I should think this is not a mandated interface situation for all DACs, just some, hopefully.

Without further review, the Aurender W20 would be my first choice, apart from its entry fee. A lesser ver could however be a very real option.

I love the notion of an upgradeability aspect, and a device which clocks the data stream, and supports all the usable audio formats.

This might just coe down to which app works best for me… and not necessarily which server or bridge. I suppose I’ll begin there and download some apps.

Jim,

I trust that my earnest attempt to respond helpfully to your post was not rewarded with sarcasm.

Dave
Dlcockrum > attempt to respond helpfully

Blindjim > Certainly not. I purposefully interjected the ubiquitous lol twice to avoid any negative connotation or untoward inference being transmitted on a personal basis.. Sorry, Dave I missed.

If indeed I take issue with someone, or some aspect on a topic, I’ll usually have no problems being quite transparent about it and not hide behind a veil of humor. I’m blunt to a fault far more than I should be so I pay attention so injuries are minimized.

Invariably on these pages someone will interject the occasion or even prerequisite need for buying pricier wires to resolve or aid some portion of the audio riddle.

The ‘sarcastic’ application was aimed squarely at the idea data lines now need to be upgraded as their performance levels have suddenly been elevated and do make a difference to the audio presentation.

Generally speaking, I can’t help but be amused by the aspect a wire everyone uses and has been using for years, decades in fact, suddenly has become a link worth considering for its attributes to sound quality and we should now cough up some less sensible money to overcome this now dreary ongoing standard.

As much hilarity and decided frustration as I gain on a personal note on the topic of wires or cables, (if preferred) making a difference, I’ve found out there is truth within this high end audio inside joke.

I’m very guilty of shelling out 4 digit money for wires. Repeatedly. Once I saw wires actually made a difference by personal trial and errors. I’ve written more than a little on these pages by reviews of past cables and makers what I felt their fingerprints on the audio production amounted to.

Wire makers as I call them, play the shell game with basic elements of electricity to evolve their inter-connects, spkr wires, etc. merely juggling capacitance often has the most obvious influence. Termination, seems the second most noticeable up or down tick, dialectric and metallurgic materials too alter noticeably the sonic demonstration.

IMHO - Making mention of the particular upscale CAT cabling used is indeed a plus.