Mono recordings - two questions...


1) While I have been an analog fan since the 70's, I never ventured into mono recordings... from an audiophile perspective, how does one listen to mono recordings?  For example, does 'imaging/soundstage depth' matter and is it accomplished through a well-mic'd mono recording?  Obviously tonal balance, impact, resolution are all qualities that should shine through...

2) Would appreciate recommendations of well recorded MONO LP's -- recently bought a Julie London LP in mono it sounded surprisingly nice/natural... not so hot as many later stereo pop recordings...  my musical preference would be for vocals in pop, jazz and soul/r & b realms... in modern artists I would equate these to Diana Krall, Gregory Porter, Adele, Kurt Elling, Sam Smith, M Buble etc etc - 

Thanks in advance
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Good comments above.

I use a mono cartridge for mono recordings, Miyajima Zero. It blossoms with obsessive setup, surprisingly so for a conical stylus.

My special favourites in mono are Casals' Bach Cello Suites, Joan Baez, and lots of really interesting music from Kirsten Flagstad, Isobel Baillie. Furtwangler, etc. Best of all, they are cheap precisely because they are mono!
bdp24-good reminder how great the early mono  Beach Boys albums sound. I have the first 6, which I think are the essential for any BB fan.

Just thought I'd mention I played that Julie London album while having dinner, and I've fallen in love(again) with her.
Something interesting- on "Cry me a River", during the outro where she repeats "I cried a river over you", during  the 2nd from the last verse, some  ham fisted engineer cranked the reverb knob...oops! 

That album is a perfect example why mono is king. I've taken this album to shows and played it on uber systems...breathtaking.
ok well it serves me right to ask questions... answers are gonna cost me money LOL

so what is a good value mono cart?  i unfortunately don't have a mono switch on my pre -- and i don't want to swap equipment in the chain - but i can mount a mono cart on a headshell and go about it that way!
If good value = low cost in your mind, here are some suggestions.

Mod a stereo cartridge - with a fine copper wire (maybe 24 ga or thinner, or even a single wire cut from a stranded bundle in a speaker wire) strap the hot pins (L & R) on the cartridge. Do this before reconnecting the headshell wire clips. Be certain the wire is taught between the pins and wrapped a couple of times around each pin. Trim away any excess.

Y adaptors - with a male to male Y connected to a female to male Y, insert that between your tonearm and preamp/phono stage.

Buy a new mono cartridge - Shure, Stanton, Grado, and AT all offer reasonably priced models, <$200. There is some question if all of these are "true mono" or simply strapped internally as in the mod suggested above. A true mono is the Denon 102 mono. It has only L & R connector pins. They are extra long to allow connecting all four headshell wires so you will have signal from both speakers.