Bluesound Node 2 vs. Auralic Aries Mini


Anyone have experience with both the Bluesound and the Auralic? Specifically, the user apps and their capabilities. I'm thinking about replacing my Squeezebox Touch to gain some newer technologies that allow higher bit rates and improved WiFi technology. My main concern is the WiFi and management capabilities, not the DAC as I'll use the digital out to drive an external DAC. I just want something that cleanly moves files from my PC library of primarily Apple Lossless ripped music and plays internet radio. I'd also like to be able to dabble with hi-rez formats, although I haven't taken much of a plunge there, yet. Streaming is not a big deal for me, but if the abilities are there that's no loss.

So, seems to me that the Node 2 and Aries Mini would both fit the bill. So it probably comes down to a matter of user experience with the control apps. Appreciate any thoughts!
Ag insider logo xs@2xdogmcd
Dogmcd,

Glad you found something you like! You are correct, the equipment on offer today is much better than the SBT. I had one too and would find it hard to go back since so much has changed. I was the first one to be surprised at the resurgence of vinyl. With how far digital technology has come I would have thought that record albums would not last.... boy was I wrong! But in the end what is the problem with all the different flavors of audio coexisting? From the Bose Wave radio to MBL audio systems, I say there is room for it all. I mean to say, in the end, we all luv music therefore we might better serve ourselves by listening more to the music....  and getting enjoyment out of what we are using today.

We cannot be sure that we will get bit perfect digital data streams, but we may get enough to enjoy the music.


I try to avoid calling out products just because they didn't sound good in my system. I do think my system is incredibility accurate and telling, but that doesn't matter as it isn't the same tuning as your own. 

But I do have a tidbit regarding Ethernet cables: In discussions with my personal cable builder (that my associates help support), it was found that CAT 7 & 8 use a shield on each of the separate wires running through the cable. We believe that this causes more inductance and combined noise. And my personal testing of CAT 7 and the one CAT 8 make me believe this is true. CAT 6 uses only one shield for the whole cable bundle.

So we build our own CAT 6 with a late version of the product that has naturally good "sonic" attributes. It is cyro treated  with our own specifications as it takes a lot more knowledge to accomplish than just getting the material adequately cold. The connectors are special too, costing about $40 wholesale (each end), minimum order of 10 for each end at the same time/order.

I don't sell cables myself and our little "club" of local Denver audio nuts is a bit different. But based upon what I know, I wouldn't spend real money on CAT 7 or 8.  I do think it is interesting that a cable can carry video data at double the rate of the highest resolution TV, but is effectively awful for digital music, at least in my system. Bill
Hi dogmcd,

I appreciate your clarification of your questions concerning the causals for audible differences in digital cables. I will try to stay with what I have learned from cable masters so far.

Re: Ethernet cables, the ultimate speed of transmission and the elimination of data loss/corruption is the key, as well as the elimination of RF/EMI noise riding on the signal. This is true of not only the wires but also of the connectors used. Some top manufacturers use networks (SOtM for example) to eliminate noise from the signal.

Re: USB cables, if the data packet is corrupted when it reaches the DACs asynchronous USB input, the packet is simply dropped and data is lost. Efforts are made to reduce causes of data packet corruption in the better designs.

Also, the way that the 5v power conductor associated with USB cable technology is isolated also plays a key role, ie the quality/effectiveness of isolation of the 5v signal from the wires carrying the digital signal to avoid transferring noise from the former to the latter. Galvanic isolation is frequently used for this purpose.

Purist Audio even uses a "specially selected" Ferrite choke in the 5v wire (not the actual signal cable as that is a no-no IME) to further eliminate stray noise from the 5v power lead reaching the actual digital signal by soaking it up while still in the 5V conductor path.

Elimination of RF/EMI penetration to the signal in USB cables is also a determinant as in the ethernet cable above.

Hope this helps.

Dave
Also, within DACs there is a process where the 1) noise, RF/EMI, etc coming in on the digital data stream and is (hopefully) cleaned up a bit and 2) the bits are reconstructed to simulate an analog waveform in order to output an analog signal to the downstream analog audio gear. If there is data loss detected during the digital-to-analog waveform reconstruction process, algorithms are applied to try to interpolate (artificially replace) missing data in order to complete the affected slice of the waveform.

The more of 1) that the DAC has to deal with, the more that will slip through (nothing’s perfect) and effect the signal in the DACs digital/analog circuitry, thus degrading the sound.

The more of 2), the more artificial interpolation due to data loss upstream. This is an imperfect process and can audibly effect the sound quality that results.

Re: "the difference in sound character" of different digital cables can be influenced by the metallurgy of various metal conductors, the dielectric chosen, shielding (or not) and cable construction techniques to further eliminate noise, the integrity/efficiency of the binding of conductors to connectors, and perhaps most importantly IMO, the resulting impedance match/mismatch imposed on upstream and downstream components.

Dave

Aries Mini - better hardware

Node 2 - better software

It’s a wash in my opinion