How Is MQA Fareing?

I did  A , B    Tidal Hifi with MQA  Aurender I won't make any changes.  I really notice my CDP up against Tidal
Hifi. CDP blows it away 
 But the convince edges 
Tidal in first place 

@bec1195

Lots of back & forth about SQ improvements of MQA on TIDAL. IMHO, I've only heard improvement when comparing MQA to CD Redbook (lossless) tracks on TIDAL and that's only with the initial unfold to 48k/24-bit. Admittedly, improvement on some tracks is very slight but I've never heard worst. Perhaps some of the naysayers can list some examples of worst sounding MQA tracks on TIDAL.

However, your point about the current TIDAL HiFi cost of $20 being an introductory rate is interesting. The economics of MQA are going to be critical to its adoption. 

From TIDAL's perspective, there's no need for them to increase their subscription fee. From an infrastructure perspective, MQA tracks take the same amount of server throughput, disk storage and streaming rates as lossless Redbook CD tracks. 

There's no reason for the major record companies need to charge more as they're just selling 0 & 1 bits. I admit I'm not an expert re: any extra cost for the record companies to produce MQA files vs. Redbook CD files.   

Meridian will already be charging hardware and software player manufacturers to decode MQA tracks. If Meridian decides to also tack on some sort of MQA fee to the record companies, then they're killing their own potential Golden Goose.

Then we need to consider the greed factor of either TIDAL, the big 3 record companies or Meridian. I can't imagine that us audiophiles move the TIDAL user subscription needle, so if TIDAL decides to charge more for MQA, how much extra revenue do they project. I doubt it would amount to $1M per year. They'd be better off with a marketing pitch stating they provide MQA for the same current HiFi cost.

That leaves the greed factor of either the record companies or Meridian. If either wants to kill MQA adoption, go ahead and raise costs that affect the monthly streaming price. 

To JazzDC: I don't understand your comment about it not being good that MQA could remove the step where you adjusted recording mixes so they would sound good in a car. Isn't that exactly what would benefit, at least, audiophiles? Adjusting the mix to sound good in a car would be unlikely to make a recording sound more like the original event on a high end home system. Maybe I'm missing your point...

This week I noticed that MQA content from Universal Music has been added to Tidal.
I have a PS Audio DirectStream DAC, which I love, but MQA sounds dull when output to the DAC, even when I have Tidal doing the unfolding...so I bought a Mytek Brooklyn DAC just for streaming Tidal MQA, and with many (but not all) MQA mastered albums the sound is excellent.  I especially noticed how well recorded acoustic piano, ride cymbals and well recorded vocals sound more "realistic".
My DirectStream DAC coupled with my DirectStream transport with most SACDs and many "regular" CDs sound excellent as well, in many cases, sound better than the MQA remasters.
So, I think the "jury's out" on MQA and its ultimate commercial success.

@ejr1953 

I was thinking about purchasing the Brooklyn DAC to realize the true potential of MQA recordings. 

Would you say, a well recorded MQA recording provides substantial audible upgrade with Brooklyn DAC over their 16bit/44.1kHz counterpart on Tidal HiFi.  One such album is Stepping Out by Diana Krall. The 'Body and Soul' and 'Jimmie' tracks are absolute joy! 

I own a ARC DAC9 and both MQA and Tidal HiFi sounds pretty darn good. I do hear bit more depth and clarity in upsample (384kHz) mode when I am listening to a well recorded album or a track. FYI, DAC9 does not have MQA decoding on board.