Most "Accurate/Realistic" Sounding Speakers?


I am a major audio enthusiast and I was listening to some live, non amplified acoustic jazz and I could not help but wonder what speaker sounds that "live"? To me, the most "accurate/realistic" speakers would accurately reproduce acoustic music as if it were playing right in front of you, and also human voices as if they were talking directly to you. I guess that is my gauge by which speakers and audio systems should be judged. I know there are a ton of "accurate" reproductions, but I have never heard anything even close to the realism, super deep bass by the acoustic bass, and slam of the snare and cymbals. Have you heard any speaker truly close to this? As an over analytical audio nerd, instead of truly enjoying this great music, I could not help but think about the system that would come even close to that realism, deep bass, and gritty fast sound. I guess the closest I have heard has been Wilson Audios, but even those were not truly accurate reproductions. I have also heard that Quad planars and ATC powered speakers do a pretty amazing job.

Please opine!
regafan_1972
Dave,

In terms of musical versatility, chops, and recording quality, Parking Lot Symphony may be the greatest album I have ever heard. 

Best,

E
Also, PLS is an example of my problem. I really can’t listen to these tracks right now! :) It’s too good and I want to play it full out.

Lots of other albums to play in "night mode." 
erik,

2 - Imaging. I challenge everyone to go to a live acoustic event and close their eyes and listen. Compare to home. The truth is most real life venues imaging is not that specific. Listen to a street busker even. Close your eyes and compare. IMHO, "hyper imaging" is not at all realistic and a deliberate artifact of speaker tuning.

I accept the challenge :-)

I hear the "live music doesn’t really image" claim so often and I don’t agree. I’ve always been in the habit, especially when listening to acoustic sources, of closing my eyes when listening.

I’ve tended to prefer closer seats at the symphony and when I close my eyes and find the "imaging" fantastic. I could easily point to whatever instrument is playing, as it occupies a dense easily identified space in the soundfield. (If someone is used to sitting at the back of the hall, this will be less the case, but even from the back when I do this I get pretty good imaging with eyes closed). This is also the case whether I’m listening to smaller jazz ensembles, or even if I come upon people performing on the street. I close my eyes and the sonic images are like the best imaging I’ve ever heard.

That is one of the reason I enjoy a speaker that images precisely. Because when that happens all the sound energy is condensed such that the "force" of the sound seems to be coming from the specific instrument, more like a real source I hear in life, rather than being distributed in some vague, swimmy manner. (Though imaging isn’t my number one concern - timbral beauty being first, dynamics etc being important...if those aren’t there I don’t care at all how a speaker images).




+1 prof. I find myself quickly fighting the urge to look about the listening room (and notice others often pulling out their social media devices but I refuse to do that), a sign of boredom, when listening to a system that fails to image well.

I think that we both prefer the closer seats at the symphony etc. because we value the impact of imaging on the listening experience. Not coincidentally, we both own Thiels. :)

Dave