tablejockey, Thanks for your interest. I pulled out my U.S. copy? I write this because it is somewhat interesting in that it has the feel (the outer jacket being of thinner cardboard stock, normally associated with UK pressings but is on the MCA label.) The actual record label is black with white printing. Both of my copies have the several pages of pictorial inserts. The original lp inner sleeve is solid black w/ MCA printed all over in white lettering. I put on side two and the difference was immediate. The soundstage was compressed drastically on this MCA pressing. There is no bloom, no presence, not a trace of the "goodness" that I just heard from my DLM copy. A total let-down! The bass response doesn't rise to the level an audiophile would like to hear on either pressing.
My DJM was full of bloom/air, wide soundstage, musically satisfying, very fulfilling as a listener. I certainly don’t consider it as a jump the shark title, by a long shot! This label is mostly black with yellow highlights. My memory says that even these DJM labels can vary in their looks.
I dig what you are saying about finding my/your own hot stamper.
My DJM was full of bloom/air, wide soundstage, musically satisfying, very fulfilling as a listener. I certainly don’t consider it as a jump the shark title, by a long shot! This label is mostly black with yellow highlights. My memory says that even these DJM labels can vary in their looks.
I dig what you are saying about finding my/your own hot stamper.