However, this doesn't mean that there is nothing we can do to help. If you describe in details using an advanced language what you would like to accomplish and what your priorities in music and sound are, some people with a lot of experience, not me, might be able to point the way for you. Write a short essay not just say you want this and that.
Another thought. When auditioning insist on the very best source available, and electronics too if possible. The source will set the pace and rhythm. I heard systems with supposedly excellent speakers and amps but inadequate source, and the other way around.
For $10k new you should be able to find excellent speakers but don't expect too much, it will still be a modest level of performance.
When auditioning I first pay attention to the pace rhythm clarity and dynamics of the system, then on how it represents space, then the tone and textures. If it doesn't pass the first test I don't want it even if it has a tone of Amati. Also, the distortion that you may hear could be mostly in the recording.
Another thought. When auditioning insist on the very best source available, and electronics too if possible. The source will set the pace and rhythm. I heard systems with supposedly excellent speakers and amps but inadequate source, and the other way around.
For $10k new you should be able to find excellent speakers but don't expect too much, it will still be a modest level of performance.
When auditioning I first pay attention to the pace rhythm clarity and dynamics of the system, then on how it represents space, then the tone and textures. If it doesn't pass the first test I don't want it even if it has a tone of Amati. Also, the distortion that you may hear could be mostly in the recording.