Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
   
Gentleman,

My take on the difference in Sound between the DI's and Bill's crescendo's equate to the obvious difference in design and the drivers covering the majority of the midrange.I do believe that the crescendo's would'nt have the perception of speed but may offer a touch more bloom in the sound that Bill may prefer and likes better.

But Offcourse room size,toe in,distances from wall,and other variables can greatly effect the sound of any speaker as we all know.

I personally find my DI's not lacking anything for my tastes and most certainly don't find them fwd or lacking depth.I don't like a too laid back speaker and I greatly enjoy the transparency and speed that this design has.I enjoy zero toe in on my speakers I have tried many positions in my room and I found the best comprise in overall sonics by having them straight ahead.

At the end of the day we all should go where are "Individual Ears" lead us.No right or wrong either way.


The DI speaker for me bring many great qualities from other speaker topology's to my sonic presentation preferences table without the shortcomings of other designs that I have owned and heard in my 36 yrs in this hobby.

Kenny.

Just wanted to share,

Since I had the great luck to become a professional reviewer about five years ago, one of the most rewarding/pleasurable aspects of this work has been seeking out boutique companies that cannot offered advertising or the "payola" needed to get their gear reviewed.  I only took this reviewing job when I was assured of two things: 1) I had the freedom to approach any company I was interested in.  2) My reviews would never be censored because of other manufacturer's advertisements on the website.

Virtually all these boutique companies are owned by very creative artesian's who hand build beautiful gear with quality parts.  My experience, with a very few exceptions, is that they are very good people who care about making the best equipment they can and having very satisfied customers.  They tend not to be great "business people" because they do this work because of their love for music and the gear they create to produce it.  Another aspect of these boutique saloon's are that they charge extremely reasonable prices for gear that out performs significantly much more expensive advertised equipment. (Think DI's at 3K)

I wrote some of the first reviews on the following companies gear that fit into this niche: Raven Audio, Backert Labs, Tekton Design, Linear Tube Audio, MG Cables, Role Audio, Krono Design, Triode Lab, AricAudio.

Because of the work of these gentleman the music lover can really put together a reference level system for the price of some power cords on the market today!

Just think, right now I'm driving the Ulf's that are superlative with the Micro-ZOTL/ AricAudio SET KT-88 amp to a level of performance that's just beautiful-yet the combo only costs $3,600.00.

 



 
actually, your critique of granny’s review was slightly over the top. I know granny has no skin in the game and I have read many of his delightful and always polite posts. And he said the speakers were great, just not his cup of tea. The idea that a speaker with a number of tweeter sized drivers used for the midrange might have a "slight" forward tilt does not seem out of the range of possibility.
Terry

I agree -- I think I would really enjoy that aspect of the job too. Now I just need to find your counterpart for HT.

Problem is that I don'\t even know if "boutique" players exist for processors because of the complexity, various licensing for different multi-channel playback, etc. There may be some for multi channel amps but the processors are (IMO) a tough product for a one person setup to do the R&D on and stay current.
Oh come on now, nothing teajay stated was an affront to grannyring; and I consider grannyring a magnificent knowledgeable poster, among the absolute best on Audiogon. Plus, I have purchased several of grannyring's superb power cable builds. I also think that between grannyring, teajay, charles1dad, and dare I say myself, the way we hear and what we like in recorded music is closely aligned. The nitpicks that differentiate us is interesting and worthy of discussion. I personally applaud the gentlemanly banter and appreciate the knowledge gained from it. The conversation has been respectful beneficial to all reading this excellent thread. Best, mikirob