Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
Hey Kenny,

I had talked to Aric earlier today and he shared that you had gotten the custom SET 2A3 amplifier you had him build for you.  Please, when you have even a cursory take on it, let us know what you think!  If your custom SET 2A3 amp lives up to what I'm hearing with Aric's amp in my house you should be in for a real treat!
Reading teajay’s critique of McIntosh the last impression that I would perceive is that he’s a "hater". He was genuinely describing his listening experience with this brand. Interestingly I share very similar impressions having heard all McIntosh systems on several occasions.

Do I "hate" their products? Of course not! I simply prefer other alternatives more. We all listen to components/speakers and choose what we like best. Taste is all over the sonic map as one would expect given the pure subjective nature of it all.

There is no reason to be thin skinned in this wonderful endeavor, trust your ears and go where they lead you. There’ll always be people who share your taste and those who do not. This is what makes this such a fun passion and results in the sharing of excellent insights and perspective. This thread is proof of this concept.

Gentlemen keep it up 😊
Charles

Hi Kenny,
Given your vast listening experiences and ownership of many terrific amplifiers past and present I’m looking forward to reading your opinion on the Lyngdorf 2170. Curious to see how it compares and contrasts with the Aric 2A3 SET, LTA ZOTL 40 and the First Watt S.I.T.push pull amplifiers. Should be much fun for certain.
Charles
@teajay @grannyring  - Preparing for the purchase of some room treatments has me studying up on room acoustics. This youtube video addressed the role electronics, speakers and acoustics play in the sound we perceive. I found it informative. Yes, still a relative noob.

https://www.youtube.com/watch?v=1bbmWd00HYM

Long story short - Acoustics play the major role, followed by speakers then electronics. Bad acoustics can totally destroy the detail and resolution you were hoping to get out of that expensive dac. "All the recording engineers, whose music we are listening to, are listening to speakers that were carefully placed in a room and equalized. Good enough for them who do this for a living, should be good enough for you, as long as you use a good quality equalizer."-Anthony Grimani, MSR Acoustics, President

Personally, I've never heard room correction not improve a room, but that was with sparsely treated rooms. What I've never heard is a well treated room, with full tube electronics compared with and without room correction. 

The new sound I got from the Raven Blackhawk came through my Gallo 3.1s beautifully. No class D like digital nasties or listening fatigue, and far greater texture and tone all while running correction. I'm still open to the existence of artifacts of correction, especially when there are 30dB untreated room mode swings. A crazy looking wideband filter to perfectly counter untreated room effects requires unlimited taps and digital filter coefficients. Think infinite fourier series. In addition the cost function balances phase and magnitude response (digital mixed phase FIR filter from Live Dirac ), so phase corrections can still come at a price of frequency response ripple or vice versa. 

I read somewhere that room corrected tone/timbre, presence and the overall naturallness of sound dramatically improves once treatments were employed. This makes sense to me given the limited resolution of even the best room correction. Fixing the number of coefficients allowed, a transfer function curve fit is orders of magnitude more accurate if the target curve is smoother or better behaved (treated room).  

Live Dirac only cost $400, makes the most dramatic positive changes of any one component I've experienced. I'll turn it off if ever I don't like it.

Anyone see a reason not to use GIK?