koetsu


seeking advice as to where the sweet spot is in this line price/performance.

dancekerl
@chakster
That is the million dollar question. I have an Ikeda Kiwame (0.15mv) & Dynavector Karat Nova 13D (0.12mv) and have tried many options over the years.
Tubes - noisy but preserve timing
Fets - grainy/opaque
Transformers - low noise but act as tone controls, timing & coherency skewed

Most successful for me have been a custom head amp using bipolar devices and another unit custom designed specifically for a Highphonic cartridge ( 0.12mv ) using Burr Brown chips which are not available even to manufacturers ( they were research development chips for internal BB use only ). Both these units left my old Klyne System 7, Gryphon phono and many others for dust - grain free, transparent, ultra low noise floor. For LOMC cartridges 0.3mv and up its pure tube for me ( at 47k ) unless I need the extra gain. To be fair I have not heard current state of the art from Pass, Trinity etc so can’t comment whats currently available at that level.
In general, in my view, many reviews of LOMC’s more reflect the phono stage than the actual cartridge as really exceptional phono stages are few and far between.



Dover's opinions depend from the amount of the New Zealand's

''Holy water'' he used before writing his post. For those who think

that this country produces only sheep my advice is to try their

wine. The income from wine is such that they call their wine

''Holy water''.  

@nandric 
Not so, no holy water consumed prior, but yes we do produce some world class wines. You are no doubt aware that your fellow countrymen contributed greatly to our wine industry following the migrations for the gold rush in the 1800's and later mass migration from europe after the ravages of WW2.
If you line up multiple phono stages in the same system of each type you will quickly recognise what I have described.     

Dear Dover, I can't compete with a former HIFI dealer reg.

the aboundance of equipment owned and experienced but

I own two ''decent phono-pres'' and an abundance of MC

cartridges. Those two are Basis Exclusive (''gold'' version) and

Klyne 7 PX3.5 both with 4 amplifing stages. Both user manuals

recommend the lowest amplification possible for the used cart.

The reason is that ''the higher amplification the higher distortions''.

So I am with chakster regarding the LO MC with, say, lower

than 0.3 mV output. I am not willing to sell my home in order to

buy all nedeed SUT's for my 40+ MC 's collection so my compromise

is Denon AU-S1 which covers 2-40 Ohms impedances. I am very

much impressed with Ikeda's old and new carts (FR-7 fz , Ikeda 9

(cantileverless version) and the new Ikeda 9 TT. All of them with

less than 0,2 mV. To me they sound better with the SUT.

If you post to me some ''Holy water'' from ''our beloved'' New Zealand

my hearing may improve in such a way that I can agree with

you and earn at least 1000 euro for my SUT to eventual pay

for a decent amount of your ''Holy water''.

I don't know who is Arthur Salvatore, but this man tested many SUTs and posted on his website about it. He was a Koetsu dealer for 10 years. There are only a few SUTs in his "class A" category and his favorite is Bent Silver TX-103, my ZYX CPP-1 active headamp is the first in his "Class B" category and described as very close. He said: " For those audiophiles who don't like any MC transformer, for whatever reason(s), the ZYX is a no-brainer choice, if it's affordable."