"Straight" talk


I can't emphasize enough about the importance of proper azimuth.  When even a bit off, the result is smearing of soundstage, emphasis of one channel or the other, blurring of lyrics, loss or air around the instruments...etc.  If Paul Simon (et al) doesn't sing in his own space exactly between your speakers....better get a Foz.
128x128stringreen
@stringreen,

By your own admission, azimuth is critical. I’m not sure that one parameter is more crucial than another as you seem to suggest, as they all work together, IMO.

You said, "you have to be nuts to readjust your arm for every or even for different records."

You just, (by your latest post), affirmed that your reason for your post is not justified by your latest statement.?

Because all records are not perfectly flat or even perfectly pressed,. You opened the door...?

I don't need a Foz, (even though I own one), to let me know when I have azimuth adjusted correctly. I haven't used mine since I took my ET 2.5 out of play..
I use a foz as well. One point that has not been mentioned, and it is an important one, is to calibrate the Foz before each use. That is assuming that you are using it on occasion, and not every day
@stringreen, "yes, I know the battery issue has been bantered about. Its really not as critical as has been posted".

It has been/was posted by you....

You have many a time repeated that you use a fresh battery once, then relegate it to a smoke alarm, no?
The Foz is not self calibrating...there is a simple procedure. Mine always registers  0 to begin.  If you can set azimuth by ear...have at it. I know mine is correct.  The arm does have an offset, however, the arm moves up and down on the same plane as the pivot so that azimuth remains fixed.  That is certainly one of the benefits of a 2nd pivot on a unipivot arm.