Actually, your listening seat, or the event's acoustics, would still not make it comparable.
Horn based loudspeakers why the controversy?
As just another way to build a loudspeaker system why such disputes in forums when horns are mentioned? They can solve many issues that plague standard designs but with all things have there own. So why such hate? As a loudspeaker designer I work with and can appreciate all transducer and loudspeaker types and I understand that we all have different needs budgets experiences tastes biases. But if you dare suggest horns so many have a problem with that suggestion..why?
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@roxy54 "I have never heard any of the discontinued Palladiums, but I have noted that there have not been a single pair of any of them for sale on the used market in the US for months now...I've been looking. I think that says something about their desirability." These are my buddy Alex's down in Miami. https://www.audiogon.com/listings/full-range-klipsch-palladium-p-39f-2017-11-18-speakers https://www.audiogon.com/listings/full-range-flloorstanding-loudspeakers-2017-12-01-speakers Bill |
Let me just say this. In my world ( as I assume others as well ), the goal of an audio system, is to, as faithfully as possible, recreate the live musical event. Virtues I listen for are ( not necessarily in specific order, but important ) : Top to bottom, octave to octave balance. Dynamic range. Sound staging. PRAT. Black, noiseless background. Finally, the sense of involvement. I am simplifying here, but there it is. I understand, I am listening to recordings ( live, or studio ), and some recordings are better than others, with some being exceptional, some ok, some mediocre, and some are poor. If I can get my toes tapping ( or not, depending on what I am listening to, just involved ), I have fulfilled my expectations. |
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