What are the best loudspeakers under $4000 to re-create lifelike piano


Over the past 4 months I've spent time with five loudspeakers.  On a scale of 1-10 I'd rate them as follows in their ability (with my equipment in my room) to recreate a lifelike piano.  Tekton Lore - 6.5 (great scale but tonal accuracy and clarity somewhat lacking),    Kef LS50 - 7.0 (moderate scale but slightly better clarity and tonal accuracy)  Kef R500 - 8.0  (great scale and very good clarity and tonal accuracy), Spatial Audio M3TurboS -8.1 (great scale and very good clarity and tonal accuracy and very smooth)  Magnepan 1.7i - 9.0 (very good scale with excellent clarity and tonal accuracy - very lifelike).

In your room with your equipment, what loudspeakers are you listening too and how would you rate them for their ability to recreate a lifelife piano and if possible a few comments as to why?
snapsc
Ohm seems to have  a regular presence at the NY Audio show but they tend to use their smaller models and pair them with average quality electronics. I think their theme was you can get real good sound at moderate prices. As a soundstage junkie, their sound is too diffused for my taste. Might be room set up or electronics. Nice tone and texture,
Read John Strohbeen’s blog under "news" on the OHM website. You’ll get a good feel for what makes OHM tick. He will talk all day about what technically goes into making good sound in a manner many can understand but very little if ever talk about anything "audiophile" or "high end audio". He is very nuts and bolts and about finding ways to make good sound available to more people.   Also it becomes clear that he is as much a lover of music as he is of hifi.
@kalali. What do you mean when you say the sound is too diffused.  Are you describing excess ambiance...or lack of clarity...or reverb????
Diffused can mean a lot of things of course.

Recently I’ve been using a Chord Mojo DAC in my system from time to time as an alternative to the mhdt Constantine DAC I use normally.

With the Mojo, I notice a huge difference in the presentation. Location of elements in the recording, which are already very well defined with the older mhdt DAC, become more focused, essentially more palpable. The overall soundstage width may actually be somewhat smaller with the Chord but still extensive with added depth.. Its a night and day difference anyone could hear.  Another step towards the absolute best  sound stage and imaging I've ever heard which was with a six figure mbl setup at a local dealer in a room setup to enable the mbls to work their soundstage and imaging to the nth degree, a room unlike anything most would ever have at home.

The Chord DAC sound does express itself as well but perhaps to a somewhat lesser degree with all my good quality gear including headphones, their prime application. I’ve used the Chord in at least half a dozen or so different listening scenarios with my stash of various gear.

My point is how transparent the OHMs are in regards to to the source device used. They will sound radically different depending on what they are fed. So as is always the case but particularly applicable in teh case of OHMs, one must take caution in attributing the sound heard in a single audition uniquely to the speakers. You will hear radically different things in different setups. The OHMs are merely the messenger. I love that!
@snapsc “What do you mean when you say the sound is too difffused.”

Let me take a whack at this.  I have a family member who had a 5.2 Ohm system with reasonable AB amps and run of the mill DAC.  Big Ohms in the front and smaller Ohms in the back. That system in either 2.2 or 5.2 formats excelled at presenting music with accurate tone and dynamic impact. And it could be enjoyed in anyplace in his large listening/living room.  While there was a sweet spot, especially in 5.2, every place sounded pretty sweet. 

But the kind of spatial definition and seemless placement of instruments you get from excellent dynamic drivers in two channels in a traditional listening “sweet spot” just was not there. In contrast, you felt like you were inside the performance - perhaps more like a live venue. Piano music sounded fine, but not remarkable.  Perhaps better electronics and cables could have helped there.

He moved and sold all that gear and replaced it with a Focal/SVS 5.2 system powered by Emotiva electronics.  Same basic cables used.  This system is more resolving, with the spatial definition that I have come to expect from Focals.  Piano music is convincing.  Good recordings of classical, jazz, country or alternative are breathtaking.  The deficiencies of most pop and some old rock recordings are exposed in the glare of accuracy.

So, my experience was that the Ohm based system presented naturally throughout a larger listening area, and was more forgiving of poor recordings, while a Focal system was more incisive but less forgiving. I find both enjoyable in different ways.