Recommend some Jazz to me


A friend and I have been checking out some Jazz records recently. Mostly Miles Davis 1st and 2nd great quintet stuff. He turned me on to Bill Evans - Sunday at the Village Vanguard, which I have been enjoying.

Someone in another recent thread recommended Elvin Jones - Poly-currents. I listened to the 1st track and it knocked me off my feet. Of course we're familair with Brubeck - Time Out. We're both drummers and I took a couple of lessons with Morello back in the day. I've also checked out some Milt Jackson.

What other artists or records would you recommend? They don't have to be great "drum" records per se. Hi fidelity recordings are a bonus.


Thanks!

Joe

audionoobie
A jazz novice myself, O10’s recommended thread, "Jazz for Aficionados" (which he started, by the way) has been like a Jazz 101 course for me. My tastes, however, tend to run to fusion as opposed to the more traditional 50s & 60s jazz that is the bread and butter of the Jazz Aficionado thread. Some recordings I’ve been enjoying:

Ahmad Jamal - "The Awakening"
Alan Pasqua - "The Antisocial Club"
Allen Toussaint - "The Bright Mississippi"
Andy Summers - "Earth & Sky"
Bill Connors - "Return"
Bob Berg et al - "The JazzTimes Superband"
Bunny Brunel - "Momentum"
Chick Corea - "Quartet"; "Time Warp"; "Paint the World"
Gary Willis - "Bent"
Jazz Pistols - "Live"
Michael Brecker - "Tales From The Hudson"
Steve Smith - "Come On In"
Tony MacAlpine et al - "CAB2"
Tony Williams Lifetime - "The Collection"

Hopefully, something from that list will click for you.

There are many people who love Duke Ellington (big band/swing) I am one of them as well, many of the artists that played with Duke also did solo work. Johnny Hodges (saxaphone) is one of the these artists. Also, Jimmy Smith is one of my all time favorite jazz musicians (Hammond B3 organ). I have to mention Count Basie (88 Basie Street).

 If you like fusion period check out Billy Cobham (awesome drummer) album (Spectrum), Herbie Hancock (Head Hunters) Lonnie Liston Smith (Expansions). 

Matt M

I'm not qualified to make judgments about Jazz, but, as they say, I know what I like! I dig the late big bands of Count Basie and Duke Ellington, who wrote great compositions and arrangements, and had superior musicians. One such was the incredible guitarist Charlie Christian. These bands also swung like crazy! I also like the small bands, songs, and singing of guys like Mose Allison.

One genre related to Jazz that is consistently overlooked is that of Jump Blues, which I love. Louis Jordan is the best known practitioner of the music, which was basically a Blues "shouter" fronting a small jazz combo consisting of a pianist, upright bassist, drummer, a couple of sax players, and a rhythm guitarist. It was with Jump Blues mixed with Hillbilly that Elvis and the other Southern whites created Rockabilly, the original, pure form of Rock 'n' Roll. Rockabilly bands didn't have a drummer---it was the job of the singer/acoustic rhythm guitarist to emphasize the 2/4 backbeat with his strumming. That's how Bluegrass bands work, too.

I'm of an age to have been in the target audience, in my perception, of the direction Miles Davis took in the late 60's. I didn't like that music then, and I don't like it now. The Fusion movement, grafting Jazz onto Rock, created, imo, a grotesque, hideous monster. Others disagree ;-). Speaking as a drummer to a drummer, I didn't like the style of playing of Billy Cobham then any more than I like that of Neil Peart now. Gratuitous displays of empty virtuosity leave me cold.