frogman
... Imo, some audiophile/music lovers do not do a good enough job of separating the “ear-candy” appeal of some recordings from its intrinsic musical value when making an assessment of the recording’s or the artist’s musical merit. DK’s recordings are generally very well recorded and in a way that appeals to the audiophile’s sensibilities. Conversely, some artists whose recordings are generally not as “impressive” in the sonics department are sometimes bumped down a notch or two (or more) in spite of being on a considerably higher level of musicality.
Agree. Which is why I use a couple of songs I normally don't listen to for demoing speakers. Just to find what their potential is in case I get a phenomenal recording in the music I do listen to. And let's not lie ... it's to show off to curious guests also. How many of us love to see that expression on their faces and that familiar phrase "sounds like they're in the room".
However, these recordings must also be within my tolerance musically. I don't care how good it sounds, if it bores the crap out of me, I'm not playing it. All these audiophile soft jazz, easy listening selections fall into that category for me. Especially if they don't have a talent that stands out as virtuosic. But like I said, to each their own.