Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


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Strangely enough, even though the balance of my system has been perfect on almost all my CDs and records, there is still a predominance of the right channel in the Nocturnes.  So much so that I began to worry that the problem had returned.
But not so, it was fine on other CDs. 
It’s probably my set, but to be honest, on my system, the sound of the Nocturnes, although quite good, doesn’t quite match the best of the RCA’s such as the best  Reiners and Munches. Of course,  It has everything to do with the imbalance I’m hearing.  Without that imbalance, it seems to be a superior sounding CD.
 
Kef_lover,

Thanks for the recommendation. I’ll look it up.
Bolet was quite a pianist!
gdnrbob,

I enjoy listening to non-professionals as well. When I was in college, I seized every opportunity to hear student and faculty piano recitals that came along. There were many times when I was shocked at the quality of the playing, and it always kept me coming back for more. Even after I graduated I continued to attend these recitals for years until I finally moved out of the area.
And yes, it surely does give a greater appreciation for the world-class musicians.
Interesting that there is so little posting on opera performances and recitals that it is quite indicative of the quick loss of interest in this art form over the last few decades. Is it the none existence of the greatest of singers that once upon a time would throw audiences into a frenzy or has the sound of the operatic voice somehow become exaggerated and alien for the most part to us. 

The New York City Opera is no more. Why? Met performances have plenty of empty seats. On all these pages there is only one mention of a specific opera recording and a few nods to people like Bjoerling, Tebaldi, Corelli, Baker and Hampson. But really not much.

Do most of you not like opera and not have the patience for it? Opera recordings used to be huge sellers even at a time when people could also hear phenomenal exciting live performances. The Met sat afternoon broadcasts were hugely popular across the nation for those who did not have access to great opera houses.

This has all been lost and is not coming back. You could point out exceptions and to this and that but it really no longer has any major hold on cultural life.