Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


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rvpiano,

I also wanted to ask if you've seen the videos of "Bolet Encounters Rachmaninoff"? It's basically a master class by Bolet on the Rach 3 with 6 very accomplished pianists, one of whom is Barry Douglass. It originally aired on PBS probably 25 or more years ago. I've always thought that this was the best program I've ever seen about classical music. It actually got to the issue of interpretation and the decisions that are, or should be, before the musicians.
Aside from Bolet's many thoughtful critiques and insights, I've always marvelled at the contrast between his playing of some of the passages and the same passage as played by one of his students. While initially I may have been impressed by the apparent virtuosity of the student, it became apparent almost immediately that the music seemed to be literally pouring out of Bolet's hands when he played. The focus no longer became virtuosity or technique, at least not as I had thought of it up to that time. For me it was a fascinating program. If you haven't seen it, you can look it up on YouTube. Given your background, I'd be very interested in your impressions. Thanks.
Strangely enough, even though the balance of my system has been perfect on almost all my CDs and records, there is still a predominance of the right channel in the Nocturnes.  So much so that I began to worry that the problem had returned.
But not so, it was fine on other CDs. 
It’s probably my set, but to be honest, on my system, the sound of the Nocturnes, although quite good, doesn’t quite match the best of the RCA’s such as the best  Reiners and Munches. Of course,  It has everything to do with the imbalance I’m hearing.  Without that imbalance, it seems to be a superior sounding CD.
 
Kef_lover,

Thanks for the recommendation. I’ll look it up.
Bolet was quite a pianist!
gdnrbob,

I enjoy listening to non-professionals as well. When I was in college, I seized every opportunity to hear student and faculty piano recitals that came along. There were many times when I was shocked at the quality of the playing, and it always kept me coming back for more. Even after I graduated I continued to attend these recitals for years until I finally moved out of the area.
And yes, it surely does give a greater appreciation for the world-class musicians.