@chefhat, "thought your tweeter story was fascinating, but I would doubt whether
the expensive fuse would sound better than the regular fuse - however I
can see why no fuse would sound the best!"
Looks like we agree no fuse would sound the best. Inherent in that position, I believe comes the understanding of how much sonic damage a fuse imparts. To that end, it seems easy enough to use the same patterns of better materials and / or metallurgies producing better sound as resistors, capacitors, switches, etc.
Regarding the measurements often brought up, as someone who worked as a materials science engineer / R&D chemist at a company providing the raw materials to the likes of Vishay, Dale, Mills, IRC, Raytheon, GE, Chrysler, GM / Ford, Bosch, TRW, Panasonic, Kyocera, Samsung, and on and on I believe the requirements for achieving an ohmic contact necessary for measuring the resistivity of these sort of low-range materials lies outside the capability of any high-end audio company I can think of. They simply lack the resources to do so: money, equipment, personnel, methodology, experience, understanding, and an overall benchmarking / measuring stick itself. Beyond the vast array of all of the equipment we had bought or developed to provide the hard numbers, using my eyes with optical and electron microscopes became an invaluable part in helping me develop the sort of conductor, resistor, semiconductor, dielectric, glass, solder, and polymer materials we did. To that end, although I do not own these sorts of fuses, knowing the chasm that lies between the differences in the properties of the materials themselves and the ability of the sort of test equipment this industry employs to perceive and evaluate them along with my own experience as an audiophile, when folks claim to hear sonic differences, I believe them
Looks like we agree no fuse would sound the best. Inherent in that position, I believe comes the understanding of how much sonic damage a fuse imparts. To that end, it seems easy enough to use the same patterns of better materials and / or metallurgies producing better sound as resistors, capacitors, switches, etc.
Regarding the measurements often brought up, as someone who worked as a materials science engineer / R&D chemist at a company providing the raw materials to the likes of Vishay, Dale, Mills, IRC, Raytheon, GE, Chrysler, GM / Ford, Bosch, TRW, Panasonic, Kyocera, Samsung, and on and on I believe the requirements for achieving an ohmic contact necessary for measuring the resistivity of these sort of low-range materials lies outside the capability of any high-end audio company I can think of. They simply lack the resources to do so: money, equipment, personnel, methodology, experience, understanding, and an overall benchmarking / measuring stick itself. Beyond the vast array of all of the equipment we had bought or developed to provide the hard numbers, using my eyes with optical and electron microscopes became an invaluable part in helping me develop the sort of conductor, resistor, semiconductor, dielectric, glass, solder, and polymer materials we did. To that end, although I do not own these sorts of fuses, knowing the chasm that lies between the differences in the properties of the materials themselves and the ability of the sort of test equipment this industry employs to perceive and evaluate them along with my own experience as an audiophile, when folks claim to hear sonic differences, I believe them