Recent retip(canti also) Dude where did my soundstage width go


I'm trying to not get worked up because it's a huge trade off. I've put 10hours on it so far. Crisper and more detailed. There's some bass on a couple jazz records that I know and that I very thrilled about. But, everything is bunched up between speakers comparably. In anybody's experience will my Grado Reference1 open back up.  I've not done this before and I'm kinda thinking this is the side of my "new" cart that I'm gonna have to learn to live with. I was warned by plenty of researching that it would change and be a different cart but in my optimism I didn't realize a better (boron cantilever/micro ridge stylus) replacing a previously considered lower quality cantilever/stylus would turn out to be disappointing. Thanks

128x128fourwnds
I believe that stylus type  reqires extremely precise setup.

What protractor did you use?

I used a Mint Best protractor - very spacious image 

There are several other "mirror-type" protractors out there that will do the job just as well.

Hope that helps  
If your setup is right, and that will change as the cart breaks in, you might want to get the Cardas album with the burn in groove and let the cart break in without having to endure the pain of listening to it, nothing is more painful as breaking in a cart, tube amps or dacs, I would rather take a beating. Yes the Soundsmith rebuilds do require a breakin. Plus the Cardas album also has  several tracks that degauss your complete system.
Hey Thanks ya'll. I'm still learning about set up and how precise it needs to be. I'm using a Feikert and a Fozgometer. I was getting strange readings with insane azimuth adjustments that were clearly not right. I realized then how sensitive the alignment of cantilever needs to be.n That was a revelation. The lines on the Feikert are decent but when your talking about movements the width of a silk thread or smaller it's little better than ballpark. It was using the Foz that strangely caused me to question alignment with the initial absurd readings.  Sensitive and great tool. It's probably still not as good as it can be. I've gone through set up it twice now and I'm done for now. Channel balance/azimuth is within a couple ticks on the Foz. I look forward to getting the Mint. Still the issue remains with the width. I'll continue letting it break in. It's a tortuous but interesting process. My toe is tapping though a bit more now. It's really recording dependent. My Grado really made almost everything sound good with a big old soundstage although it glossed over some detail Im finding out.