Evaluating a system - what do you listen for?


I have been in this hobby a long time and my opinion of what I want to hear in reproduced music continues to evolve. Having owned many systems - and critically listened to many, many more - I am now looking for an overall sound that as accurately as possible captures the tone and tempo of the music with enough of a bass foundation to convincingly portray an orchestra at full tilt or club beats while still nailing the timbre of an upright bass. Decent portrayal of leading and trailing edges is nice, and a high end that’s fully present and balanced without stridency is a big plus. Detail’s good, but hyper detail without musical flow can be distracting. Airy treble and pinpoint or large soundstage are also nice to have, but if what’s coming out of the speakers doesn’t make me want to tap my toe or cry a little bit when a vocalist holds a note just so, then what’s the point? That’s what I’m looking for these days - what about you?
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My first: Effortless listening.

After this tonal balance and lastly dynamic range

By effortless listening I mean, I don't feel like I have to interpret or filter out anything. Listen to a tape recording of people in an office, and you'll suddenly hear the room they are in. All the echo which if you were in the room your brain would be constantly working to remove. This is what I most want gone.

Related to this, I want a glass smooth and extended tonal balance. I probably like my speakers a little darker or warmer than most.

Dynamic range is important but I can't really listen very loudly. What I want is utter ease of dynamics within the volume I listen to.

The thing I care about the least is precision imaging. Hyper detailed localization of instruments doesn't sound natural to me, and is often achieved by sacrificing the tonal balance.

If you have a relatively accurate home system it's going to reveal good and bad things, including what the recording engineer did with the pan pots on the mixing board. One of my pet peeves (which I can ignore if I like the music) is the "20 foot wide drum kit" syndrome which exists on a lot of the jazz trio (and other stuff) recordings I listen to…unless somebody is in the far corner of the room playing just a high hat or a tom…in that case it's fine. I like coherency, which I've determined is the key for me both in my home rig and the concerts I produce and mix. Live shows always (except for musicians getting stuck in traffic) have a sound check where you try to get a balance that the artists like, and that is sometimes destroyed at show time by a musician who decides to play much louder (rare, but man…) requiring re-mixing on the fly…I still get paid. However, tonal coherency keeps you from losing interest…screechy treble, boomy bass…no no no.
Plus one to erik_squires and wolf_garcia.  I am still looking to refine tonal balance and musical whole. gee-whiz? No thanks.