Receiver with preouts vs pre/pro


If you already have a separate multichannel amp and want to get a pre/pro with the latest in video and audio capabilities for a budget of around $500, is the best option a good HT receiver with preouts? The dedicated preamp/processors that I've seen seem to start at around $900 with Outlaw's offerings.

For the money, in the $500-ish range, is the best bang for the buck a good HT receiver from Yamaha, Denon, or Onkyo? (And then bypass the internal amplification section.) It seems as though the receivers are less expensive and have more video features and support more of the new HD audio and video.

Are there better alternatives for this price range, or does using the receivers for their preamp + processor sections represent a good value?

Michael
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Someone else had a similar concern recently, and this was how I answered it based on my personal experience. Whether to take this route (or not) depends on one's objectives. If you want good value and maximum flexibility, then the receiver might be the way to go; if ultimate sound quality is your goal that might lead to other alternatives.

... the knock on AVRs is the possible lack of transparency. While that may be concern, IMHO it is offset by the utter versatility to obtained from the AVR. I use a Denon AVR 3805 as the term implies ... as a 'preamp/processor' to the fullest. It performs great preamp duty as front end for 2-channel listening. In "Pure Direct" mode, all Digital Signal Processing (DSP), video circuits, etc are shut off. So the signal delivery is about as pure as one can get from an AVR. I run the Denon's front L/R pre-out through a Musical Fidelity Tube Buffer/Outboard power supply to Channel Island D-200 monoblocks ... musically very satisfying indeed.

The other thing the Denon does, and this is the added bonus, is play multi-channel direct by taking "External Direct" from my Tube Research Lab modified Sony ES2000 CDP in 5.1 mode. It requires 6 extra interconnects; and it's worth it. Great results with multi-channel SACD source material. You also have the choice of going direct 2-channel from CDP to 5.1 surround using the 3805's DSP function. Or, the DSP can process a straight digital signal from my Oppo 970HD DVD player in HT mode for movies.

Finally, this particular AVR has the Auto Room Equalization feature ... and a few others have this option as well. My previous AVR, the Denon 3803 did not include this capability. Have you ever spent the greater part of a Saturday with SPL Meter in hand, calibration CD playing over and over ... trying to get it just right? The Auto EQ eliminates all that. Once it's set, switching between processed sound - music, movies, TV - and 2-channel listening is very easy. Just my 2 cents.
Strateahed
Michael, Pre/Pro definately in regards to your reiterated statemen/question. If you think about the cost of a receiver (pre/pro + amplifier combined, which is what the AVR is) vs. a pre/pro for the same price, the pre/pro is putting all of the cost/money into one thing, not trying to do everything at the same budget.

Personally, I think there are great deals on used pre/pros. Secondly, I am totally confused by the HD Audio only being able to be conveyed by the HDMI cable as everything I have read about the HDMI cable clearly states it is not capable of carrying both an HD video signal and even a full resolution audio signal (much less an HD one?).

But, I am a strong believer that the video signal, via HDMI or any other method should not go through the pre/pro or AVR - what good can they be doing the signal? Most current TVs have 2 HDMI inputs anyway for two sources.

I would take the HDMI direct and the audio into the pre/pro via a digital cable. If you have a very, very high end DVD player with spectacular DACs, then it may be better using those DACs and onboard processing and taking the analog 5.1 or 7.1 signal to the AVR or Pre/pro.

If I were you, I wouldn't change what you have. I seriously question that spending $500 is going to give you any improvement in sound quality! I can also tell you from experience that the Totem Arro speakers on an AVR (from Denon 38XX and B&K 507 S2, of which I have owned both)versus a dedicate amp makes a huge difference.
Well I'm no rhodes scholar; (If my post was unclear.) BTW the best 3 years of my life was the time I spent in the second grade.
I own the Onkyo 875 and with the new audio codecs it sounds better than my previous 3k receiver; and this 875 was under a thou. I will lose 2k on the older model,at best. If I threw away the 875, I will only lose 1k.---THIS is what I was referring to.--- I, like many, use outboard amps and do 2ch on a much grander scale.
Avguygeorge,

Just to clarify, do you use the 875 as your 2 channel preamp as well? With what amp and how do you like the results?
You are probably not going to find a pre/pro that does the new audio formats for $500, new or used. You might find a receiver used such as an Onkyo or Denon for that price but even those are not that readily available because they just have not been out that long.

The biggest advantage would be that a pre/pro will cost less than a receiver of the same quality. Unfortunately starting price is about $1600 for a pre/pro such as an Integra dct 9.8.