frog, thanks for your contributions (as always).
I think you touched on an important point when you mentioned the new wave of audiophile reissues, with "Waltz For Debby" as a good example. The availability of those as LPs, CDs, downloads, whatever, may influence newer jazz buyers. And some, such as "KOB" and "Take Five" have now been audiophile reissues several times over. But they are at the top for sales of all jazz albums so there have been other influences than simply recommendations by audiophile publications like Stereophile and TAS. More general readership of newspaper, magazine, or online articles also identify mainly the same war horses. It's fun to expand things once in awhile.
I think you touched on an important point when you mentioned the new wave of audiophile reissues, with "Waltz For Debby" as a good example. The availability of those as LPs, CDs, downloads, whatever, may influence newer jazz buyers. And some, such as "KOB" and "Take Five" have now been audiophile reissues several times over. But they are at the top for sales of all jazz albums so there have been other influences than simply recommendations by audiophile publications like Stereophile and TAS. More general readership of newspaper, magazine, or online articles also identify mainly the same war horses. It's fun to expand things once in awhile.